{"title":"All Music","description":"","products":[{"product_id":"horse-lords-interventions-copy","title":"Horse Lords - Interventions","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3850134741\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horselords.bandcamp.com\/album\/interventions\"\u003eInterventions by Horse Lords\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/p\u003e\u003cp\u003eWest African rhythms collide with just intonation guitars, art-fire saxophone, minimalist grooves, and collaged zapdowns on Interventions, the powerful third full-length from Baltimore’s Horse Lords. The band’s Northern Spy debut is also the first Horse Lords album to explore the classic studio-as-weaponry strategies of yore, mapping the quartet’s raw Baltimore lightning onto the experimental musique concrète territory surveyed by elder heads like Faust and This Heat.\u003c\/p\u003e\n\u003cp\u003eFounded at the turn o’ the ‘teens by Andrew Bernstein (saxophone\/percussion), Max Eilbacher (bass\/electronics), Owen Gardner (guitar), and Sam Haberman (drums), Horse Lords quickly established themselves as avant-heavies with the two extended tracks of their powerful self-titled debut (Ehse Records, 2012). Playing custom electric guitars and basses refretted by Gardner, the band’s rolling polyrhythms chime with the strange and distinct harmonies of just intonation inspired by the master La Monte Young and other heroes. Where the earliest Horse Lords releases, also including Hidden Cities (NNA Tapes, 2014) concentrated on linear performance, a trio of Mixtape cassettes (self-released, 2012-2014) pointed the way towards the newest turn in the Horse Lords saga.\u003c\/p\u003e\n\u003cp\u003eChopped and screwed and stomped and smothered and dissolving to bells and then suddenly (as if through a flung-open door) back into some room where Horse Lords is playing at full flight, the three Mixtapes exploded the possibilities of the quartet. Changing contexts like flipping channels on a dadaistic cable box, the series found a whole expanded universe of Horse Lords there for the squonking. Realizing that promise, Interventions is (as they say) a new phase Horse Lords album with Bernstein’s saxophone and the microtonal guitars pinging through the stereo mix with single-minded purpose. Horse Lords is a band, its members serving a range of functions over multiple axes, from the audible (writing and performing music) to the structural (altering their instruments), to the soundscape in between (editing together Interventions’ threaded mini-suites).\u003c\/p\u003e\n\u003cp\u003ePart of the newest wave of smarty-arty-weirdos playing DIY spaces and tea houses and college campuses, Horse Lords’ soaring heaviness achieves a true poise that seems equally primed to make the leap to concert halls and festivals. Making appearances on freeform radio station WFMU and concert recording site NYCTaper, Horse Lords are recognized, too, as a galvanizing live act, powered by the double-drumming of Sam Haberman and Andrew Bernstein. Last year, their Hidden Cities Remix to benefit the local Living Classrooms’ Believe in Music featured the work of influential contemporaries including fellow Baltimore undergroundists Drew Daniel and M.C. Schmidt of Matmos (contributing separately) and Guardian Alien drummer\/lead-brain Greg Fox.\u003c\/p\u003e\n\u003cp\u003eFloating at the boundaries of composition and improvisation, electronics and performance, the underground and the vast improbable 21st century indie mainstream, Horse Lords exist in none of these places and all of them. More accurately, they exist on Interventions, the album you now hold in your proverbial hands, perhaps noticing the reflection of the imaginary room’s light reflecting on the LP cover, ready to cue up as you find yourself in the new beyond of tomorrow’s ecstasies and today’s Horse Lords.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition \"Transparent Pink\" Vinyl","offer_id":44667150074079,"sku":"MLP-NS-075","price":23.99,"currency_code":"USD","in_stock":false},{"title":"LP + Digital","offer_id":44667150106847,"sku":"LP-NS-075","price":22.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667150139615,"sku":"CD-NS-075","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667150172383,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150205151,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1385902353_10.jpg?v=1703788582"},{"product_id":"amirtha-kidambi-elder-ones-holy-science","title":"Amirtha Kidambi Elder Ones - Holy Science","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1632580698\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/amirthakidambi.bandcamp.com\/album\/holy-science\"\u003eHoly Science by Elder Ones\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAs Ben Ratliff wrote in the New York Times, “the aggressive and sublime first album by the band Elder Ones, Holy Science, is a kind of gauge for how strong and flexible the scene of young musicians in New York’s improvised and experimental music world can be. At the center of it are drones and phonemes. The group’s leader, the 30-year-old composer and singer Amirtha Kidambi, holds forth behind a harmonium, the small keyboard instrument with hand-pumped bellows; it’s commonly used in bhajan, the Indian devotional-singing tradition that was central to her musical experience while growing up in a South Indian family.”\u003c\/p\u003e\n\u003cp\u003eKidambi formally trained in classical music, singing works by avant-gardists including Nono and Stockhausen, but the pull of free jazz and Alice Coltrane drew her toward a different path. The influence of both Alice and John Coltrane is especially apparent on the new album, as is her work with composer and saxophonist Darius Jones, and her study of Carnatic music.\u003c\/p\u003e\n\u003cp\u003eWhile in Darius Jones's a cappella group, Kidambi developed a language for wordless vocals, freeing her from being tied to syntax, a technique she uses through most of Holy Science. The music is anchored by bass-lines and drones on the harmonium, often doubled on the bass by Brandon Lopez. Matt Nelson on the soprano saxophone evokes the sound of the Indian double-reed nadhaswaram, and the playing of John Coltrane and Pharoah Sanders, blending with and harmonizing her voice and the reeds of the harmonium. Drummer Max Jaffe’s ability to seamlessly pivot between complex grooves and timbrally explorative free-playing, completes the equation. Each musician was chosen for their unique improvisatory language on their instrument, ultimately informing Kidambi’s compositional approach.\u003c\/p\u003e\n\u003cp\u003eReflecting on her various influences, Kidambi explained, “I grew up Hindu, but with a pantheist universalist bent, the idea that all religions are different paths to the same God or Truth. Not only is the music of John and Alice Coltrane so influential, they both practiced universalism. Alice's primary guru was the same one that my family followed, and she participated in the bhajan singing tradition. I grew up singing with the harmonium, and I know all the tunes on her Huntington Ashram records. She looms large for me as a figure who blended so many different styles and traditions, uncompromising in her vision and authentic to herself. She was, in a way, a universalist in her music, blending her influences of Stravinsky, gospel, free jazz, the avant-garde, world music, and her spiritual practice into a totally individual sound. I really relate to that way of thinking about music and the universe.”\u003c\/p\u003e\n\u003cp\u003eThe first piece composed in the suite was \"Dvapara Yoga,\" which began as a meditation on the death of Eric Garner. The album title derives from a 19th century text written by Swami Sri Yukteswar Giri, which scientifically explains the yugas, or eons of cosmic time in Hindu mythology. The four movements Sathya-Yuga, Treta-Yuga, Dvapara-Yuga and Kali-Yuga, explore themes of creation, destruction, and rebirth, with the final movement pivoting on the Vishnu Sahasranam Vedic chant, and ending with an apocalyptic reset of the time cycle.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667150762207,"sku":"CD-NS-085","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667150794975,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150827743,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3849590726_10.jpg?v=1703788592"},{"product_id":"oneida-rhys-chatham-whats-your-sign","title":"Oneida \u0026 Rhys Chatham - What’s Your Sign?","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1492617847\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/oneidarhyschatham.bandcamp.com\/album\/whats-your-sign\"\u003eWhat's Your Sign? by Oneida \u0026amp; Rhys Chatham\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFour years after their inaugural union at Ecstatic Music Festival inside New York City’s Merkin Concert Hall produced a cosmic din for the ages, two genre-obliterating renegades who’ve made indelible marks in the experimental music pantheon—the NYC-bred, Paris-based avant-garde guitar legend and minimalist composer Rhys Chatham and long-running psychedelic free-rock juggernaut and Brooklyn institution Oneida—have joined forces on their first collaborative album proper titled What’s Your Sign?, due November 11th, 2016 via Northern Spy Records.\u003c\/p\u003e\n\u003cp\u003eWith pedigrees carved in hall-of-fame-caliber collaboration and ever-expanding symphonic ensembles (a Chatham touchstone is A Crimson Grail (For 400 Electric Guitars) while Oneida’s twelve hour long free-improvisational drone-fests is stuff of legend), it’s no revelation the legendary composer and No Wave veteran and the left-field freethinking noisemakers would make for kindred spirits.\u003c\/p\u003e\n\u003cp\u003e“Collaborating with Rhys was a way for Oneida to connect with the legacy of NYC experimental rock,” explains Kid Millions. “It was gratifying and exciting that Rhys was completely wide open. No hesitation as he stepped into the O.”\u003c\/p\u003e\n\u003cp\u003eAs it turns out, Chatham stepping into the O—a sonically deep and sprawling mind-fry of triptastic psych-stoner dirges and marathon-length organ-splattered space-jazz noisescapes—was a match made in drone, noise and Motorik groove heaven. But even Chatham had jitters upon entering the hypnotic sound-world that would ultimately serve as the foundation for What’s Your Sign?\u003c\/p\u003e\n\u003cp\u003e“When I first met up with the merry men of Oneida at their rehearsal studio in Brooklyn, I was a little nervous about how things were going to go, because I was thinking of them as basically a rock group, perhaps with a bit of an edge and a bit of noise, but essentially rock,” recalls Chatham. “I was nervous about it because I was coming to the session with my Outdoor Spell loop\/delay setup, and I wasn’t too sure about how that would work with straight ahead rock. So you can imagine my surprise when the drummer, Kid Millions, started playing in a style that owed more to free music and noise than it did to rock. And so did what the other guys were playing. It worked just fine, and the music sounded great!”\u003c\/p\u003e\n\u003cp\u003eWith six compositions credited to Oneida and Rhys Chatham, What’s Your Sign?—Oneida’s first set of original material since 2012’s A List of the Burning Mountains and Chatham’s second LP in 2016 (Pythagorean Dream the first) and third overall for Northern Spy—is an exercise in freethinking sonic explorations from an uncompromising, genre-defying group whose collective output has shaped the experimental music landscape extending over the last four decades.\u003c\/p\u003e\n\u003cp\u003eRecorded and mixed at Menegroth The Thousand Caves by Colin Marston, Oneida and Rhys Chatham and mastered by James Plotkin, What’s Your Sign?’s six shapeshifters are ecstatic journeys into a psych-rock future-world. Warped, alien jam action like the jet engine-drone roar of “Well Tuned Guitar” and the in-your-face noise-rock screams of “You Get Brighter” harken back to the legendary free-improv all-nighters that took place at The Ocropolis, Oneida’s former studio\/performance space in Williamsburg.\u003c\/p\u003e\n\u003cp\u003eEven with Chatham thrust deep into Oneida’s sound-deconstructing fray, the songwriting process didn’t stray too far from the norm of past efforts. What’s Your Sign? was born out of playing together, jamming on monolithic riffs and squelching electronics, discussing and editing.\u003c\/p\u003e\n\u003cp\u003eBoth “Civil Weather” and “A. Philip Randolph and Back Bay Station” approach firebreathing 60’s free jazz vibes driven by Millions’ rolling and manic beats and ear bleeding double-horn-fueled drone, thanks to a Hanoi Jane-Chatham trumpet duet.\u003c\/p\u003e\n\u003cp\u003eFrom its drums-bashing, cacophonous beginning to its skronky trumpet-loaded conclusion, the instant chemistry betwixt Rhys Chatham and Oneida is what makes What’s Your Sign? such a seamless and natural partnership: ageless vanguards of minimalism, free-improvisation and noise banding together in a holier than thou union of NYC experimental\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667150958815,"sku":"LP-NS-080","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667150926047,"sku":"CD-NS-080","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667150860511,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667150893279,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/unnamed-1-e1646851972956.jpg?v=1703788602"},{"product_id":"cuddle-magic-ashesaxis","title":"Cuddle Magic - Ashes\/Axis","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1876571167\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cuddlemagic.bandcamp.com\/album\/ashes-axis\"\u003eAshes\/Axis by Cuddle Magic\u003c\/a\u003e\u003c\/iframe\u003ep\u0026gt;\n\u003cp\u003eCuddle Magic is Benjamin Lazar Davis, Christopher McDonald, Dave Flaherty, Alec Spiegelman, Kristin Slipp and Cole Kamen-Green–a six-piece avant-pop band located between Brooklyn and Philadelphia. All six musicians are in-demand collaborators in New York’s musical community and work with a wide array of artists, from pop superstars like Beyoncé to critically lauded independent musicians like Will Sheff (Okkervil River) and Amanda Palmer (Dresden Dolls), as well as with respected figures of the avant-garde like Fred Frith and Ran Blake.\u003c\/p\u003e\n\u003cp\u003eIt's been a few years since the New Yorker labeled Cuddle Magic’s music \"high concept chamber-pop.” At the time, that was a fair statement about a band known to utilize 12-tone rows, odd meters, and extended techniques; a band which had collaborated with new music pianist Phyllis Chen and Third Stream master Ran Blake. But with Ashes\/Axis, the band’s forthcoming new full-length record, listeners are less likely to hear echoes of the academy. All sorts of heady compositional devices, both musical and literary, are still present, but the members of Cuddle Magic have learned to bury those influences deeper in the substrate of the music.\u003c\/p\u003e\n\u003cp\u003eAshes\/Axis features songs written by three of Cuddle Magic’s band members–Christopher McDonald, Benjamin Lazar Davis and Alec Spiegelman–all of whom take turns as lead vocalist. In addition, Kristin Slipp, whose voice is prominent from the very start of the album, takes the lead on “Slow Rider,” “The First Hippie on the Moon, Pt. II” and “Voicemail.”\u003c\/p\u003e\n\u003cp\u003eThe album also features several co-writes: “The First Hippie on the Moon, Pt. II” was co-written by Lazar Davis and his brother Tim Davis; “The First Hippie on the Moon, Pt. I” was co-written by McDonald and Davis; “Voicemail” was co-written by Lazar Davis and Spiegelman; “Spinning” and “Round And Round” were co-written by Lazar Davis and Sarah K. Pedinotti of Lip Talk, and three of the songs on the album were co-written by Lazar Davis and longtime collaborator Bridget Kearney of Lake Street Dive. Those tracks, “Slow Rider,” “Trojan Horse,” and “Getaway,” are all pop songs hung over the frame of Bawa music from Northwestern Ghana. Parts of these songs were conceived just for the gyl, a type of wooden xylophone, and can be heard translated for this sort-of-rock band.\u003c\/p\u003e\n\u003cp\u003eAs with past Cuddle Magic records, the studio process for Ashes\/Axis began with live full-band arrangements. Grooves were orchestrated with a set of unusual electro-acoustic timbres including a finger-picked, overdriven acoustic guitar, a bass clarinet with a cheap microphone nested in the bell, junk-shop percussion run through a vocoder, and a slew of Casio keyboards (bought, urgently, from an unnervingly tense family in rural Maine). After tracking the arrangements, several elements were then removed to allow for one final stage of recomposition. With Cuddle Magic’s Benjamin Lazar Davis at the helm, Bryce Goggin (Pavement, Swans, Antony \u0026amp; The Johnsons) and assistant engineer Adam Sachs chopped, distorted, distressed, and delayed elements in each song. The end result is a sound that is warm and precise, raw yet sophisticated–a set of infectious pop songs from either an alternate reality or a paradoxically familiar near-future.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667151220959,"sku":"LP-NS-086","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667151253727,"sku":"CD-NS-086","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667151319263,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667151286495,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2534050323_10.jpg?v=1703788611"},{"product_id":"parlor-walls-opposites","title":"Parlor Walls - Opposites","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=701442117\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/parlorwalls.bandcamp.com\/album\/opposites\"\u003eOpposites by Parlor Walls\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eParlor Walls’ debut album Opposites is appropriately named. The trio of Alyse Lamb (guitar, vocals), Kate Mohanty (saxophone), and Chris Mulligan (drums, synth) channel a sound that plays with extremes. At times heavy and playful, vulnerable and strong, dark and humorous, exacting and unhinged, it recalls the everyday taming we all do to harness our wild parts, and invites us to let them be. The band explores how far they can push the listener in one direction, while still holding the opposite qualities intact. How much dissonance and melody can exist at once? Can a rhythm be fun yet challenging?\u003c\/p\u003e\n\u003cp\u003eFrom the opening track “Crime Engine Failure”, we get the unsettling feeling of gears churning. A relentless drumbeat refuses to evolve as the vocals begin the song in an all-together different timing. This push and pull is where the band thrives. Unsure where the anchor is, they perform a balancing act. Second track “Cover Me” whips in like a charging bull and settles on a groove-laden bass, only to dive into chaos with Mohanty’s box-cutter tone and Lamb’s pleading, urgent vocals. In “Play Opposites”, she begs the question, “Is this what you wanted Mother? Empty shells to fill your hole?”, as the music slowly unravels into a wash of noise. On songs “Love Again” and “Hesitation”, the trio walks the fine line between pure pleasure and madness, encouraging you to thrive in between the two.\u003c\/p\u003e\n\u003cp\u003eIt would be best to listen to Opposites in a giant cavern around a fire surrounded by your tribe for one last dance before you head out to fight the revolution. Walking a tightrope between genres, you could take this to be true: It rocks, it drops, it grooves, it melts, it rolls, and like most forces of nature and spirit it’s wisest to relax and maneuver with the current rather than wondering why.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Parlor Walls are the band you hire to play while you dance around the world burning. This record plays like The Pop Group if they were fronted by Kim Gordon and James Chance. At times droney, dreamy, and disturbing, while still adhering to pop song constructs. This is fine decoupage of art-noise-punk stuck together with double sided scotch tape and then doused with glitter.\"\u003c\/em\u003e –Kevin Diamond\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In their new album, Opposites, singer Alyse Lamb doesn’t so much wear her heart on her sleeve as she does throw it on the floor in a blood-spattered mess, piecing it back together with a magnifying glass and a pair of tweezers. It’s not an album for getting out of one’s head or escaping one’s troubles, but rather, it’s for confronting and wrestling with them head-on.”\u003c\/em\u003e – JP Basileo\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154530527,"sku":"LP-NS-089","price":18.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667154596063,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154563295,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2595409884_10.jpg?v=1703788620"},{"product_id":"on-fillmore-happiness-of-living","title":"On Fillmore - Happiness of Living","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1293544510\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/onfillmore.bandcamp.com\/album\/happiness-of-living\"\u003eHappiness of Living by On Fillmore\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis is Happiness of Living: the latest musical transmission from On Fillmore, the long-running duo of percussionist Glenn Kotche (Wilco) and bassist Darin Gray (Tweedy). Carved from an ecstatic multi-day session in Rio de Janeiro, these 11 new tracks, which make up their fourth studio album, move effortlessly between pools of celestial vocals, deep cosmic pockets and occasional pop tunes, to create a glowing mood unlike any previous dispatch from On Fillmore.\u003c\/p\u003e\n\u003cp\u003eSculpted from eight hours of sessions made with old and new comrade musicians, including esteemed producer Kassin (Caetano Veloso, Arto Lindsay), On Fillmore has invited others into their deepest creative space for the first time with Happiness of Living. Emerging from something deeper than improvisation, the sessions unfolded in a spirit of openness: like the analog tape loops borrowed from an installation by Sao Paulo artist, Chiara Banfi; or the voice of Brazilian-American singer-songwriter Gabriela Riley; the otherworldly percussion of Mauro Refosco (Atoms for Peace, Red Hot Chili Peppers); or even the words sang by Guillereme Valerio on \"Jornada Inteira”, who is the brother of their Sao Paulo promoter. The synchronicity of those recordings is evident upon listening to Happiness of Living, from the first touch of thumb piano (kalimba) on album opener, \"Pintado.\"\u003c\/p\u003e\n\u003cp\u003eFirst visiting Brazil to perform at the 2005 Perc Pan Festival in Salvador and Rio, On Fillmore had what they describe as \"a musically life-changing experience.\" They arrived, laden with mini-discs and effects pedals, to play music from their then-new album Sleeps With Fishes (Quakebasket, 2004), but it was while watching a performance by +2 collective (Domenico, Moreno, Kassin) that something shifted. A friendship with those musicians took root and grew into an ensemble performance later that year at Museum of Contemporary Art in Chicago which, though unrehearsed, remains one of the duo's favorite shows. It opened the door for what continued to grow into Extended Vacation (Dead Oceans, 2009), and eventually becomes fully formed in Happiness of Living.\u003c\/p\u003e\n\u003cp\u003eOn Fillmore have always embodied a collaborative spirit, most recently serving as the rhythm section for William Tyler’s acclaimed Modern Country (Merge, 2016). On Fillmore formed in 1999 on a plane ride home from performing in London with Jim O’Rourke, and met a few years before while working on O’Rourke’s Eureka (Drag City, 1998). On Fillmore has since remained a band without a geographical home: Gray based in St. Louis and Kotche in Chicago (or wherever Wilco's currently at). Since joining Wilco in early 2001, Kotche has become one of the most acclaimed and in-demand percussionists in the world, occupying a musical space at the intersection of pop and experimental music, orbiting within the worlds of classical commissions as well as rock and roll amphitheaters. Gray has worked with a range of underground music heroes, including Loren Connors, Chris Corsano, and Rob Mazurek, in addition to serving as bassist in Tweedy, with Wilco’s frontman, Jeff Tweedy, and his son Spencer. In cultivating their long-term friendship and musical partnership, Kotche and Gray’s still-unfolding On Fillmore discography showcases a process of exploration that is consistently pushing both musicians beyond the traditional divisions of labor in a bass\/percussion duo.\u003c\/p\u003e\n\u003cp\u003eAfter discovering a new musical place with Extended Vacation in 2009, On Fillmore found themselves with the longing to transform their ongoing musical conversation to a wider specter of possible landscapes. Neither jazz nor Brazilian, not exotica, not free music, nor anything else. If anything, Happiness of Living has On Fillmore in uncharted land. For certain types of music fans, a dream record; the type one might put on and immediately be transported to some place filled with strange creatures and inviting sounds, some place you’ve never been but maybe find you’ve been missing. This is Happiness of Living.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154628831,"sku":"LP-NS-083","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667154694367,"sku":"CD-NS-083","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667154661599,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154727135,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS083_OnFillmore_cover-e1646851449785.jpg?v=1703788630"},{"product_id":"pc-worship-buried-wish","title":"PC Worship - Buried Wish","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1698642337\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/pcworship.bandcamp.com\/album\/buried-wish\"\u003eBuried Wish by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePC Worship's new LP Buried Wish is an off-kilter journey through hook-laden alternative rock, experimental tape manipulation, downer punk riffs and long form improv-based psychedelic instrumentals. As the album weaves through the damaged re appropriation of objectionable sounds, it seeks to explore a contrast between the traditional rock band format + instrumentation with outsider experimentalism by exploring new ideas related to composition and unconventional (often homemade) instrumentation. Buried Wish further embodies PC Worship's dedication to categorical ambiguity as it opens with a prelude written for a horn quartet + tape loops and ends with a pseudo-americana, sludge folk song, while throughout the album, continues the familiar PC aesthetic of unfiltered, subconscious inspiration, fueled by dystopian lyrics, eternal guitar solos and vamped out sonic exploration. Buried Wish was written and recorded by Justin Frye in the basement of a condemned building throughout 2016 in Bushwick, which flooded half way through the process. It was sourced from drawn out solo tracking, upright bass experiments, large ensemble improv sessions and random input from various collaborators over the past year, with contributions from Michael Etten, Jessica Papitto, Shannon Sigley, Mario Maggio, Jordan Bernstein, Pat Spadine, Greg Fox, Marilu Donovan, Kassie Carlson and Adam \"Junkyard\" Markiewicz, among others.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154759903,"sku":"LP-NS-087","price":18.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667154825439,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154792671,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1322230224_10.jpg?v=1703788639"},{"product_id":"arto-lindsay-cuidado-madame","title":"Arto Lindsay - Cuidado Madame","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2674611517\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/artolindsay.bandcamp.com\/album\/cuidado-madame\"\u003eCuidado Madame by Arto lindsay\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• The album is titled after an infamous 1970 Julio Bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. The literal translation is “Careful, Madame.”\u003c\/p\u003e\n\u003cp\u003e• The album is produced by Lindsay. It features Melvin Gibbs, Paul Wilson, Kassa Overall, Patrick Higgins, Ryu Takahashi and Thiago Nassif.\u003c\/p\u003e\n\u003cp\u003e• Candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. The process began with recordings of atabaques in Brazil. Lindsay wrote melodies and lyrics over the rhythms in the studio in Brooklyn.\u003c\/p\u003e\n\u003cp\u003e• The album is an exploration of the cultural nexus of Afro-Brazilian spirituality and western modernity.\u003c\/p\u003e\n\u003cp\u003eWhen people talk about Arto Lindsay’s body of work, they often project a reductive dichotomy. There is Scary Arto and Sexy Arto.\u003c\/p\u003e\n\u003cp\u003eScary Arto’s music is stormy and serrated and ruthless and almost deranged; evoking perhaps the glare and noise of New York City. Sexy Arto’s music is seductive and warm and textured and ethereal; evoking perhaps the dappled sunlight of Brazil. Both musics seem dreamlike. In the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003eIn 2014, Northern Spy issued a unique and conceptually provocative double-disc anthology of Arto’s solo work, called Encyclopedia Of Arto. Disc 1 was a “best of Arto LIndsay” survey of his solo albums. Disc 2 was something much more unusual: many of the same songs from disc one, performed live with Arto's signature haywire noise guitar (Scary Arto) juxtaposed against his lilting, slyly erotic, post-Caetano vocal style (Sexy Arto).\u003c\/p\u003e\n\u003cp\u003eThe choice to marry Sexy and Scary into a single performance was striking and bold. I cannot speak for Arto, but my read of the statement was that it rebuked the notion that his vision is somehow binary. It felt like fresh terrain.\u003c\/p\u003e\n\u003cp\u003eThis brings us to Cuidado Madame, the long awaited new album, where Arto’s mastery is in full bloom. Though the album certainly favors Sexy Arto, its fearlessness makes us let go of our boring, dichotomous ideas. On offer is the full, inimitable Arto Lindsay range of texture, noise, technology, ensemble playing, melody and poetry, sensuality and intellect.\u003c\/p\u003e\n\u003cp\u003eYou will find that you stop analyzing and parsing. You will find that you surrender.\u003c\/p\u003e\n\u003cp\u003eIn the sense that there are many kinds of dreams.\u003c\/p\u003e\n\u003cp\u003e- Chad Clark\u003cbr\u003eBeauty Pill \/ Washington, DC \/ Spring 2017\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667154858207,"sku":"LP-NS-090","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667154923743,"sku":"CD-NS-090","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667154956511,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667154890975,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1543875685_10.jpg?v=1703788648"},{"product_id":"okkyung-lee-christian-marclay-amalgam","title":"Okkyung Lee \u0026 Christian Marclay - Amalgam","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2624810082\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/okkyungleechristianmarclay.bandcamp.com\/album\/amalgam\"\u003eAmalgam by Okkyung Lee \u0026amp; Christian Marclay\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMay 2014, arriving home after hearing the Café Oto performance now released as Amalgam, I began to write. Over time the text developed, augmented by relevant dreams, literature and boxing metaphors, to become integrated into my book, Into the Maelstrom. This is an extract from that passage:\u003c\/p\u003e\n\u003cp\u003e“In the grey time of the gig, the drift away time, smell of room time, the time when magical implements and instruments are compressed into their road-sick cases, I watched from an eye corner as the tall man persuaded Christian Marclay to hand over a shard of plastic, placed the black dagger in his bag, then headed home. This savage triangle I recognised as debris...one of many during a duo with cellist Okkyung Lee in which their streams of interpenetrated sounds felt as volatile as live power cables, lightning strikes, snake bites, roaring bears, the finessed husbandry of potentially catastrophic rock falls. Something about the implacability of Okkyung Lee, the steel edge of her cello, not in its sound so much as its unmoveable force, something about the need to react to her presence as grit, as grinding, enforced a move away from the turntables out of which Marclay had been unleashing sound up until that point. Close in to a microphone, he was scratching a record with his fingernails, as if the evolutionary function of nails was as a polystylus designed to scrape music out of any surface: rocks, tree bark, elephant skin, the mist surrounding a waterfall, the bald head of an old person...\u003c\/p\u003e\n\u003cp\u003eAfter the gig I had stood still on a spot that seemed to confer invisibility, observing, waiting, listening. Somebody new to the whole business said to me, why doesn’t everybody know about this music, why isn’t it celebrated and presented in big concert halls to huge audiences? She was alight with excitement, the shock of the new. Somebody else said, but it’s not always as good as this. I said, well isn’t that true of all music, whether it’s composition, improvisation, popular, esoteric, critically acclaimed, classic, old, new, whatever? Some is great; the rest is mediocre or otherwise unforgivable... \"\u003c\/p\u003e\n\u003cp\u003eListening now to the recording, more than two years later in a totally different environment is a markedly different experience, yet the intensity that made the concert so remarkable remains palpable. As finely poised as a tug of war between a steam train and a herd of wildebeest, this is music that celebrates all that is volatile, uncompromising, hypersensitive and deliriously inventive in improvisation.\u003cbr\u003e\ncredits\u003c\/p\u003e\n\u003cp\u003e– David Toop\u003c\/p\u003e\n\u003cp\u003ereleased November 11, 2016\u003c\/p\u003e\n\u003cp\u003eChristian Marclay – turntables\u003cbr\u003e\nOkkyung lee – cello\u003c\/p\u003e\n\u003cp\u003eRecorded live at Cafe Oto April 25th, 2014 by Jonathan McHugh\u003cbr\u003e\nMixed and mastered by Lasse Marhaug\u003cbr\u003e\nCover images by Christian Marclay\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667155251423,"sku":"LP-NS-082","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667155284191,"sku":"CD-NS-082","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667155349727,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155316959,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2342201946_16-1-1.jpg?v=1703788658"},{"product_id":"padang-food-tigers-sigbjorn-apeland-bumblin-creed","title":"Padang Food Tigers \u0026 Sigbjørn Apeland - Bumblin’ Creed","description":"\u003cp\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=81810195\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/padangfoodtigers.bandcamp.com\/album\/bumblin-creed\"\u003eBumblin' Creed by Padang Food Tigers \u0026amp; Sigbjørn Apeland\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBetween them, British folk phantasms Padang Food Tigers (Stephen Lewis and Spencer Grady) and Norwegian harmonium player Sigbjørn Apeland have recorded for illustrious imprints such as ECM, Hubro, Bathetic, Scissor Tail and Blackest Rainbow. These past offerings are engrained with a rich devotion to various branches of traditional composition – church music, country and folk – yet seek to dissemble those well-worn forms under the aegis of extemporisation. Both parties are collating a formidable canon of après organic ambient, venturing beyond the all-prevailing placebos tailored by so many sleep-starved somnambulists. These guys offer up genuine alternate atmospheres with an emotional pastoralism that speaks with a deep heartfelt feeling, undeniably immediate and open. Theirs is a music inviting, or rather insisting, upon a listener’s self-projections – aimed inward towards the soul, outward in boundless leaps of imagination.\u003c\/p\u003e\n\u003cp\u003eBumblin’ Creed, this collaborative venture for Northern Spy, finds these kindred spirits revelling in their new-found alliances. A shared vision now bears its artistic fruit, borne of an unshakeable belief in the beauty of the passing moment and the intrinsic need to harness precious seconds in the slow-motion passing of a reductionist blues, a child’s plaintive plea or the creak of an old wooden chair (listen, you’ll hear it). In theory it can get pretty Cageian, in reality the academy never gets a look in. The nine pieces on this highly-emotive suite – each built up from an embryonic kernel ceded by Apeland or the Tigers and developed in cherished association – seduces the space between every well-judged note, while hanging on their ebbing word. Tones react to the muttering of memory and recollection (before vanishing, lost forever), or to the artist’s respective environments (a picturesque Norwegian village, a lost river found buried at the end of a suburban garden, a stone sphinx blanketed in snow watching over the relics of a crystal citadel).\u003c\/p\u003e\n\u003cp\u003eAs influenced by Messiaen’s ecclesiastical organ works as Uncle Tupelo’s last round of alt.country cuts, as energised by the non-idiomatic innovations of Derek Bailey as the Delta deviations of Loren Connors, Bumblin’ Creed is an extraordinary piece of enchantment that ranks right up there alongside the best material these guys ever produced, a slow-motion country crawl, the soundtrack to your spiritual baptism: listen close, and be born all over again.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667155415263,"sku":"CD-NS-077","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital","offer_id":44667155382495,"sku":"CS-NS-077","price":8.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667155480799,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155448031,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2213517062_10.jpg?v=1703788668"},{"product_id":"joe-westerlund-mojave-interlude","title":"Joe Westerlund - Mojave Interlude","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=911257006\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=1755757242\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/jwesterlund.bandcamp.com\/album\/mojave-interlude\"\u003eMojave Interlude by Joe Westerlund\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eMojave Interlude was realized, recorded and edited from August 2006 - November 2015, in various locations between North Carolina and California. The majority of the music was created with a wide array of percussion instruments, utilizing a variety of techniques, and processed with analog and digital electronics. Additional instruments and found sounds were added under my own direction and\/or editing. In 2013, a live-mix version of this music was assembled to accompany the dance piece I am Come For You, choreographed by Carson Efird, at UCLA in Los Angeles, CA and at White Wave in Brooklyn, NY.\u003cbr\u003e\ncredits\u003c\/p\u003e\n\u003cp\u003eAdditional Instrumental Contributions:\u003cbr\u003e\nMike Lewis: Saxophones (Part I, d)\u003cbr\u003e\nBrian Joseph: Additional Engineering \u0026amp; Production (Part I, d)\u003cbr\u003e\nTrever Hagen: Trumpet \u0026amp; Electronics (Part II, a\u0026amp;b)\u003cbr\u003e\nRobert Pence: Bass Clarinet, Tenor Saxophone, Trombone (Part II, b)\u003cbr\u003e\nMastered by Ryoji Noumi\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667155546335,"sku":"CS-NS-081","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667155513567,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155579103,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0761503546_16-1-1.jpg?v=1703788677"},{"product_id":"horselover-fats-liberty-ashes","title":"Horselover Fats - Liberty Ashes","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3445144871\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=4091609691\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/horseloverfats.bandcamp.com\/album\/liberty-ashes\"\u003eLiberty Ashes by Horselover Fats\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLiberty Ashes is an exercise in not only deliberation but also impulse. Side A and Side B act as inverse of each other, sharing similar three-movement structure. A is the more deliberate, ecstatic piece, its hulking movement arranged for the appearance of the State Street Singers men’s choir, led by Matt Morello. Ferocious wormhole guitars and irascible walls of drums weave in and out of the Latin incantations of the choir, producing a bliss both pineal and cerebral. Side B focuses more on chance–the composition builds around blooming synth pads and wanderlust guitars before dropping into synthetic percussion, processed into oblivion. By the end of the piece, vocals lace the ambient washes of the keys and guitars, again achieving a bliss–this one subliminal. The contrast between the two sides of Liberty Ashes is stark, but the spirit is similar. The music comes fast and easy, both seamless and sawtooth, sacred and profane. It’s a record built toward the end of post-modernity, exploring dichotomies of loud\/quiet, space\/occupation, light\/dark, and free\/unfree. Liberty Ashes refers to the remnants of an ideology, that deliberation and impulse together lead to something more sustainable than either on their own.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667155742943,"sku":"CS-NS-078","price":8.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667155710175,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155775711,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3867845011_16-1-1.jpg?v=1703788686"},{"product_id":"bobby-kapp-matthew-shipp-cactus","title":"Bobby Kapp \u0026 Matthew Shipp - Cactus","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2781980594\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bobbykappmatthewshipp.bandcamp.com\/album\/cactus\"\u003eCactus by Bobby Kapp \u0026amp; Matthew Shipp\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn Valerie Wilmer’s important socio-political history of the jazz vanguard As Serious As Your Life (Serpent’s Tail Press, 1977), the chapter on pianist Cecil Taylor is subtitled “Eighty-Eight Tuned Drums.” Textually this reference advances the role of the piano in free music as percussive in large part, especially as the chordal and melodic directions taken after Ornette Coleman in the late 1950s often appeared to circumvent the more fixed tonalities of the keyboard. Drummers and pianists have been one core team in this music, going back to the forbears and scions of the modern-jazz era — Buddy Rich and Nat Cole; Art Blakey and Herbie Nichols or Thelonious Monk; Denis Charles, Sunny Murray and Andrew Cyrille with Taylor — whether the pianist may work percussively or sculpt the music temporally and melodically.\u003c\/p\u003e\n\u003cp\u003eDrummer Bobby Kapp (b. Robert Kaplan on April 11, 1942 in Perth Amboy, NJ) and pianist Matthew Shipp (b. December 7, 1960 in Wilmington, DE) are a team that has only recently come together, though their affinity for one another is natural and rewarding. Cactus is their first duo recording, a spontaneous set coming on the heels of 2015’s Themes 4 Transmutation, the latter waxed under the drummer’s leadership and featuring Shipp, reedist Ras Moshe and bassist Tyler Mitchell. While the cognoscenti may be aware of Kapp’s name as a firebrand in the mid-60s New York free music underground, he didn’t record as a leader back then. In recent years, after relocating to Mexico, he’s co-led the standards-rooted Fine Wine Trio with pianist Richard Wyands and bassist Gene Perla, and reunited with alto saxophonist Noah Howard before the latter’s untimely passing.\u003c\/p\u003e\n\u003cp\u003eKapp’s restless energy and streetwise lyricism, yen for the blues and supple templates for unfettered expression took him from New Jersey and Staten Island to Berklee College of Music, where he studied with Alan Dawson, and then Lower Manhattan. There, he played and recorded with alto saxophonists Marion Brown and Noah Howard, pianist Dave Burrell and tenor saxophonists Leandro ‘Gato’ Barbieri and Pharaoh Sanders before eventually settling in an artist’s colony in San Miguel de Allende. Kapp’s sideman recordings in the 1960s are scant, comprising two full LP appearances (Barbieri’s In Search of the Mystery and Howard’s At Judson Hall, both on ESP), two individual LP halves (Brown’s watershed Three for Sheep on Impulse! and Burrell’s High on Douglas), and film footage of Brown’s trio was captured in 1967 by Henry English, but all of this work presents a rolling, massive and fleet economy somewhere between Elvin Jones and Shelly Manne. His more recent outings have been somewhat under the radar, but the aspects that entice—a sure, tempestuous detail—are toned with age, experience and fidelity.\u003c\/p\u003e\n\u003cp\u003eShipp’s piano is the perfect foil for Kapp’s dryly doled-out metric inventions, his sinewy but factual movements through erudite melody, resonant stomps and granular sideways gestures creating fields and objects through which the drummer’s open, supple brushwork and woody rolls float, undercut and weave. Shipp has worked with a wide range of individual, creative drummers—including Newman Taylor Baker, Whit Dickey, Guillermo E. Brown, Susie Ibarra, Marc Edwards and Steve McCall—and says of Kapp that “Bobby is a marvel as he combines the best of old school drumming with a real feel for pulse and breaking the circle that exists in the avant-garde. However, he can open the beat up in a way where you can flow with the wave and never lose the line. His touch is really refined and that adds to the beauty of his sound. I am always looking for ways to make my comping deeper and working with someone who has played with all the people he has deepens my thing. Also, the sound he gets off the cymbals has a resonance that is beyond deep—it’s like swimming in pure vibration.” On Cactus, nine spiny and flowering dialogic arms are presented in gorgeous sound, creating a language that stems from bebop, free improvisation and classicism but are of the present and specific to these two musicians. Rigorous, spontaneous play that feels this good is something to hold onto.\u003c\/p\u003e\n\u003cp\u003e– Clifford Allen\u003c\/p\u003e\n\u003cp\u003e“Practically without parallel — Matthew Shipp is the connection between the past, present and future for jazzheads of all ages.” – Downbeat\u003c\/p\u003e\n\u003cp\u003e“…In the 1960’s, Bobby was a seminal figure in the so-called new music movement in NYC, recording with Gato Barbieri, Archie Shepp, Noah Howard and others.” – Ron J. Pelletier\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667155874015,"sku":"CD-NS-079","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667155841247,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667155906783,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/NS_079_web_cover-2-e1646851954503.jpg?v=1703788696"},{"product_id":"shilpa-ray-paisley","title":"Shilpa Ray - Paisley","description":"\u003cp\u003eSIDE A: When Doves Cry\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=464065851\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3167338915\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/shilparay.bandcamp.com\/album\/paisley\"\u003ePaisley by Shilpa Ray\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis was the track that got me. I was 4 years old when I heard this song. There was a story about him on the evening news and I told my mom I was gonna marry him. Why not? He looked like me. He had brown skin, black hair, big dark eyes and the longest lashes. Watching Purple Rain as an adult I was floored that I was allowed to watch it at all as a child. I didn’t remember it being so sexual. All my 4 year old self could absorb was that in the TV there was a world where you could get up on stage, wear glamorous clothes, and be surrounded by beautiful babes. I watched the older girls in my parent’s friend circle copping Appolonia’s style—big 80’s hair, purple shadow and bright red lips. She was a whole lot of woman, and Prince was the magic man from outer space. Those were good times. RIP\u003c\/p\u003e\n\u003cp\u003eSIDE B: Where Evil Grows\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=464065851\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3347800726\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/shilparay.bandcamp.com\/album\/paisley\"\u003ePaisley by Shilpa Ray\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEver watch the video of this song on the Kenny Rogers show? It’s sublime. A wholesome white couple, seemingly Jesus loving hippies, singing a song about where evil grows. I first heard this track while working the door at Pianos this past winter. My friend, DJ Andy Haynes, a connoisseur of creepy music, was spinning that night and the lyrics to this grabbed me. “Evil grew. It’s part of you and now it seems to be that every time I look at you evil grows in me.” Like I said, really creepy.\u003c\/p\u003e\n\u003cp\u003e“When Doves Cry” is a collaboration with soul singer Deva Mahal.\u003cbr\u003e\nJeff Berner of Psychic TV engineered the tracks.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Lathe Cut Single + Digital","offer_id":44667156037855,"sku":null,"price":14.99,"currency_code":"USD","in_stock":false},{"title":"Cassette + Digital","offer_id":44667155939551,"sku":"CS-NS-084","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667155972319,"sku":"","price":4.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156005087,"sku":null,"price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-06-at-2.21.01-PM.png?v=1703788706"},{"product_id":"string-noise-covers","title":"String Noise - Covers","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=475469194\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/covers\"\u003eCovers by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDeerhoof drummer Greg Saunier recorded and produced String Noise (Conrad Harris and Pauline Kim Harris) in his closet and the results couldn’t be more wondrous! This beautiful homemade lathe cut 7″ record includes four new arrangements by Eric Lyon of The Germs, Minutemen, Brahms and Deerhoof (featuring Greg on percussion). Cover artwork is by none other than Jad Fair. String Noise, New York’s most daring violin duo has built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn. Their first feature album “The Book of Strange Positions” was released on NORTHERN SPY RECORDS in November 2015. Tiny Mix Tapes describes this collection of original works and arrangements by Eric Lyon of Bad Brains, Violent Femmes, Deerhoof, Radiohead, and Black Flag as a “mix of classic punk covers and ZERO APOLOGIES.”\u003c\/p\u003e\n\u003cp\u003eside A\u003cbr\u003e\nLexicon Devil 2:02\u003cbr\u003e\nPanda, Panda, Panda 2:46\u003cbr\u003e\n(featuring Greg Saunier, percussion)\u003c\/p\u003e\n\u003cp\u003eside B\u003cbr\u003e\nWie Melodien zieht es mir 1:36\u003cbr\u003e\nLittle Man With A Gun In His Hand 3:20\u003c\/p\u003e\n\u003cp\u003earrangements by Eric Lyon\u003c\/p\u003e\n\u003cp\u003ecomposers:\u003cbr\u003e\nThe Germs, Deerhoof, Johannes Brahms and Minutemen\u003c\/p\u003e\n\u003cp\u003erecorded and produced by Greg Saunier in his closet in Brooklyn, NY\u003c\/p\u003e\n\u003cp\u003ecover art by Jad Fair\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition Lathe Cut Single + Digital","offer_id":44667156103391,"sku":"LP-NS-076","price":14.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156136159,"sku":null,"price":4.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156070623,"sku":"","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-06-at-8.20.23-PM.png?v=1703788716"},{"product_id":"ravi-shankar-in-hollywood-1971","title":"Ravi Shankar - In Hollywood, 1971","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2092736005\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ravishankar.bandcamp.com\/album\/in-hollywood-1971-2\"\u003eIn Hollywood, 1971 by Ravi Shankar\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePARTICIPANTS: Ravi Shankar (Sitar), Alla Rakha (Tabla), Kamala Chakravarty (Tanpura)\u003c\/p\u003e\n\u003cp\u003eRecorded live June 12, 1971 in Hollywood, California. Private concert at the home of Ravi Shankar on Highland Avenue.\u003c\/p\u003e\n\u003cp\u003eMusic Producer: Shyama Priya\u003cbr\u003e\nExecutive Producer: Shyama Priya, Cat Celebrezze\u003cbr\u003e\nCover Photograph: Claudia Andujar\u003cbr\u003e\nInside Photographs: Henry Diltz\u003c\/p\u003e\n\u003cp\u003eLINER NOTES:\u003cbr\u003e\nWritten by Sukanya Shankar, 2015\u003c\/p\u003e\n\u003cp\u003eThis is a treasure of a recording as it is not only a live recording of a rare morning concert but it was also an “at home” performance Raviji did for some special friends at his residence on Highland Avenue in Hollywood, California in 1971. It was during this gathering that he spoke about his distress over the plight of the people of East Pakistan (later known as Bangla Desh) in the aftermath of Cyclone Bhola. Being Bengali himself, he talked about wanting to do something to alleviate the suffering. George Harrison, in attendance that day, listened and from those conversations the seed was sown for what would later become the Concert for Bangladesh.\u003c\/p\u003e\n\u003cp\u003eI telephoned Kamala Chakravarty in India, whom you hear on the recording playing tanpura (also Raviji’s one-time partner of twenty-five years) to find out details of the day, what the atmosphere was like. She is eighty-six now and she couldn’t remember in detail – there were so many musical nights! – but said that, at that time, it was not uncommon for Raviji to invite friends over and then all the four Beatles and people like Marlon Brando, Zubin Mehta, and Peter Sellers would to drop by!\u003c\/p\u003e\n\u003cp\u003eThis concert recording is unique musically as it is historically. The first piece is a beautiful raga composed by Raviji called Parameshwari. It opens with a little Aochar and a slow Gat in Teen taal of 16 beats and a fast gat in Ek Taal of 12 beats. The inspiration for this Raga goes back to Chengali, a little village near Kolkata. During the filming of his autobiographical film Raga, Raviji traveled to Chengali in the morning sometime in March 1968. While riding in the car, he conceived the nucleus of a melodic form that he later developed and called Kameshwari. By using the old Murchana (scale-wise progression) and Swara Bheda system (getting different ragas by changing the Sa or Do), he discovered three more ragas at the heart of Kameshwari, and Parameshwari was one of them. The other two are Gangeshwari and Rangeshwari. Parameshwari has flashes of known ragas Bageshri, Bhairavi and Bilaskhani Todi but it is pure Raviji.\u003c\/p\u003e\n\u003cp\u003eLet us delve a little into what Raviji achieved when he created his ragas. A raga is not merely a cluster of notes with a theme or a motif. It is bound by some strict principles of its Arohana (ascending) and Avarohana (descending) characteristics. It usually has 5, 6 or 7 notes and sometimes permutations and combinations of these. It should have a Vadi, which is the most important note, and a Sam Vadi, which is usually the 4th or the 5th and note and secondary. What is core to the raga is its Prana or life and its power to be heard and to be propagated, to instill its emotional message in the heart of as many musicians and listeners as possible. Time will tell the validity of a new raga creation, by its acceptance, popularity and longevity. No matter how beautiful the raga, if you are the only one who can perform it, it is not considered to be of any consequence. Raviji’s ragas can be found in many artist repertoires – that tells you the intensity and emotional effect of his music and his creations.\u003c\/p\u003e\n\u003cp\u003eAlso playing brilliantly on this recording is Ustad Alla Rakha or Abbaji, as he was affectionately addressed, Raviji’s tabla accompanist of twenty-five years. You can hear Raviji’s appreciation and excitement for Abbaji’s improvisations during the performance. On Dhun you hear pure Raviji in all his sensuality and mastery! Raviji dedicated Dhun to Bangla Desh, again, telling you what was on his mind and weighing on his heart at the time. The final piece is Sindhi Bhairavi in Thumri (meaning “light classical style”). Raviji’s hands are flying in the fast Drut composition, but at he loses not one bit of musicality. Towards the end, the musical conversation between sitar and tabla is incredible. Hearing Raviji’s inimitable laughter at the conclusion broke my heart. Oh I miss him so much…but am so grateful we can share his music with you.\u003c\/p\u003e\n\u003cp\u003e– Sukanya Shankar, 2015\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double LP + Digital","offer_id":44667156168927,"sku":"LP-NS-073","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Double CD + Digital","offer_id":44667156234463,"sku":"CD-NS-073","price":21.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156201695,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156267231,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Ravi-Shankar-In-Hollywood-Cover_web-e1646851928473.jpg?v=1703788727"},{"product_id":"cloud-becomes-your-hand-rest-in-fleas","title":"Cloud Becomes Your Hand - Rest In Fleas","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2880046892\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cloudbecomesyourhand.bandcamp.com\/album\/rest-in-fleas\"\u003eRest In Fleas by cloud becomes your hand\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eLike visions from a 3D comic book, color fantasies explode in vivid new sound-­tones on Cloud Becomes Your Hand’s Rest in Fleas. The band’s second album for Northern Spy establishes the Brooklyn sextet as purveyors of googley­-eyed psych-­pop of the highest order, delivered in a kinetically singular dialect of the musical language of fun. Over eight tracks, Cloud Becomes Your Hand affirm their position in the secret lineage that links the pingings of the BBC Radiophonics Workshop to the happy goofing of Syd-­era Pink Floyd (like if the busted gearwork at the end of “Bike” started its own band?), a line that connects the energy dome power of Devo to the collage-­happy Frosted Ambassador wing of the Elephant 6 Recording Company. Feed your head, right? But while the collective destination might be the sweet innocence of marmalade skies, the Cloud irregulars are hardly musical naifs, executing dazzling conceptual and compositional turns that puts them just as much in the family of New York’s uncompromising experimental music scene.\u003c\/p\u003e\n\u003cp\u003eLed by multi­-instrumentalist and composer Stephe (the ph is hard) Cooper, Cloud Becomes Your Hand’s complex art-­pop bursts into being from fragments and scraps, collaboratively sewn together into benevolent smoke­spewing contraptions that spin around drumming drummer Booker Stardrum and Sam Sowyrda’s MIDI-­triggered malletKAT percussion. Along with Hunter Jack (violin) and Weston Minissali (synth\/vocals) comes the addition of bassist Simon Hanes­­–formerly of comrade DIY brain­-exploders Guerilla Toss–whereby the Cloud gang gains some new rhythmo-­melodic heft on their journey to the centre of our mind. Lyrics come courtesy of ongoing collaborations between Cooper, his friends, and some anarcho muse guiding the whole cotton candy ship, and Rest in Fleas sets down on our planet with enough bouncing choruses and surprise left-­turn hooks for the whole happy mutant family.\u003c\/p\u003e\n\u003cp\u003eMuch like Cooper’s songs, Cloud Becomes Your Hand has multiple origins. One is a theatrical stage experiment produced by Cooper and Cloud malletKATer Sam Sowyrda called Living Things-­currently neither active nor disbanded–­­which yielded the stage instruction from which the Cooper drew the Cloud Becomes name. Another origin are Cooper’s subsequent home recording endeavors released on cassette under the Cloud Becomes moniker, including Cloud Becomes Your Hand (2010) and Doggy Paddle (2011) before drafting an ensemble into service for live work. “Like punk rock coming out of a music box,” Stereogum described one such performance. “A joyful journey through a strange land,” said the New Yorker. Rocks or Cakes, the band’s 2014 Northern Spy debut “thrills, buzzes, dives, \u003cand\u003e surprises,” wrote Relix.\u003c\/and\u003e\u003c\/p\u003e\n\u003cp\u003eJust at home at hanging out at Brooklyn avant­-garde institutions like Roulette as on homemade stages in over­-enthusiastic loft installations, Cloud Becomes Your Hand are ready to find the doorway to elsewhere in any environment. Rest in Fleas functions much the same, using sleight of hand and pure charm to lash open a portal to the giddy surreal by any means necessary, from learned technique to spontaneous creation. Along with fellow travelers on the kosmik-­noisenik highway like aggro­-eclectic Northern Spy labelmates Dva and Horse Lords, Cloud Becomes Your Hand continue to fight the good fight by not fighting at all, just emitting only the most colorful of vibrations and letting the air and all available ears do the rest.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667156365535,"sku":"LP-NS-074","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667156431071,"sku":"CD-NS-074","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667156398303,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156463839,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0738448119_10.jpg?v=1703788738"},{"product_id":"string-noise-the-book-of-strange-positions","title":"String Noise - The Book of Strange Positions","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=175422397\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stringnoise.bandcamp.com\/album\/the-book-of-strange-positions\"\u003eThe Book of Strange Positions by String Noise\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eConrad Harris and Pauline Kim Harris, the husband\/wife violin duo comprising String Noise, have built a reputation as relentless contemporary music advocates with a propensity for the most intense and advanced classical music of today. As performers they have championed the work of extreme contemporary composers such as Bernhard Lang, Eric Lyon, and John Zorn.\u003c\/p\u003e\n\u003cp\u003eThis release goes back to the roots of String Noise. Between 2009-2011, Eric Lyon composed Noise Triptych, the first work written for the as-yet-unnamed duo. Lyon then provided the moniker String Noise, and the duo made their debut at the 2011 Ostrava New Music Days festival. This release presents Noise Triptych, and its follow-up composition, The Book of Strange Positions. Accompanying these works is a set of arrangements of punk rock songs created by Lyon between 2011- 2015.\u003c\/p\u003e\n\u003cp\u003eThe combination of classical music and punk rock might seem surprising, but here it makes sense. Lyon’s recent music has been built on the technique of “articulated noise,” in which most creative decisions are made at random, and the composition process is largely about managing serendipity. While this may seem abstruse, Lyon’s music itself tends to be driving, intense, and immediate, with strong ties to a punk rock sensibility. This pairing presents Lyon’s music in the context of some of its own musical affinities, while presenting familiar punk rock songs from a fresh viewpoint.\u003c\/p\u003e\n\u003cp\u003e“Trailblazing duo…” – Time Out New York\u003c\/p\u003e\n\u003cp\u003e“Formidable display of virtuosity…” – New Music Box\u003c\/p\u003e\n\u003cp\u003e“Lightning fast reflexes and warmly matched sounds….” – New York Times\u003c\/p\u003e\n\u003cp\u003e“They were greeted with a thundering ovation more common for American Idols…” – The Huffington Post\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667156627679,"sku":"CS-NS-072","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667156693215,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156660447,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/StringNoise_square_cover-e1646851916746.jpg?v=1703788749"},{"product_id":"tcot-st","title":"#tcot - S\/T","description":"\u003cp\u003e#tcot is John Darnielle and Christopher R. Weingarten\u003cbr\u003eProduced by Ben Greenberg at the Magic Shop\u003cbr\u003eDesign by Paul Jeffrey\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667156758751,"sku":null,"price":8.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-06-at-8.18.56-PM.png?v=1703788756"},{"product_id":"pc-worship-basement-hysteria","title":"PC Worship - Basement Hysteria","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892123236\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pcworship.bandcamp.com\/album\/basement-hysteria-2\"\u003eBasement Hysteria by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eBasement Hysteria is a new EP by PC Worship that explores the space between alternative rock and improvised fluidity. The title refers to the physical space in which the band records \/ practices and the mental space achieved by spending long nights under the influence of sleep-deprived hysteria, splitting time between long days of work and cultivating material to perform as a 3 piece band on an upcoming European tour. It’s a bi-product of spending hours in a basement playing music with no specific aesthetic agenda and bridging long form, unraveling “jams” with song ideas that enlist concepts most commonly employed by traditional eastern music, derivations of punk \u0026amp; jam bands, such as malleable form, squealing guitars and linear composition. This EP consists of 4 long form songs, recorded live to tape and enhanced with minimal overdubs (typically derived from social happenstance as the influence for the compositional direction), such as bongos with a coworker, sax with a wedding band member and operatic vocals with a partner, to create the socially displaced illusion of solidarity as it relates to the confined individual obsession of creative output and the cultivation of Basement Hysteria.\u003c\/p\u003e\n\u003cp\u003e“…frayed, pummeling avant-gardism…collaging decades of downtown New York dissonance while sludging into the future…” — Jenn Pelly, Pitchfork\u003cbr\u003e\n“…hook laden Alternative Rock for the side door, millenial guitar solo enthusiast…” — Rolling Bones Magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRecorded during the Summer of 2015 at Kreephaus in Brooklyn, NY.\u003cbr\u003e\nPerformed in various ways by Justin Frye, Michael Etten, Shannon Sigley, Jordan Bernstein, Jessica Papitto, Boston Bongo Dan(iel Rineer) \u0026amp; Andrew Bernstein.\u003cbr\u003e\nAll songs written and recorded + “art” by Justin Frye.\u003cbr\u003e\nMixed and mastered by Jonathan Schenke.\u003cbr\u003e\nCircuit bent pedals \/ electronics courtesy of Pat Spadine.\u003c\/p\u003e\n\u003cp\u003eTracks\u003cbr\u003e\n1. Done\u003cbr\u003e\n2. My Lens\u003cbr\u003e\n3. Social Fiction\u003cbr\u003e\n4. Basement Hysteria\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667156791519,"sku":"CD-NS-071","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667156857055,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156824287,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1373344149_10.jpg?v=1703788764"},{"product_id":"craw-1993-1997","title":"Craw - 1993-1997","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2642002888\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/craw.bandcamp.com\/album\/1993-1997\"\u003e1993–1997 by craw\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNorthern Spy reissues the first three records by Cleveland, Ohio, post-hardcore band Craw in a limited-edition vinyl box set, 1993–1997. All out of print for two decades or more, these full-lengths—1993’s self-titled debut, 1994’s Lost Nation Road and 1997’s Map, Monitor, Surge—complete a story that concluded on Bodies for Strontium 90, released in 2002 by Hydra Head Records. The new box set lovingly reintroduces these records in a deluxe package including three remastered double LPs and an exhaustive 100-page page book. The book, designed by the team behind one-of-a-kind visually driven label Aqualamb—who have also overseen visuals for the entire release—includes a wealth of unpublished photos and ephemera, an exhaustive oral history of Craw drawn from newly conducted interviews, and a detailed timeline of band activities, shows and releases, stretching from Craw’s 1988 formation to their 2002 break-up.\u003c\/p\u003e\n\u003cp\u003eThanks to the passion of writer and musician Hank Shteamer, who served as project organizer for the set and funded it through Kickstarter, Craw’s music finally receives the reissue it deserves. We hope that 1993–1997 will spur a reexamination of the band’s place in the lineage of aggressive, challenging, radically unorthodox underground rock and metal.\u003c\/p\u003e\n\u003cp\u003eTo celebrate the release of this epic set, Craw are reuniting for two special shows, taking place March 11th, at the Grog Shop in their hometown of Cleveland, Ohio, and March 12th, at Saint Vitus in Brooklyn, New York. All band members that played on the albums included in 1993–1997 will be on hand at each show, participating in career-spanning performances drawn from these releases as well as Bodies for Strontium 90.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"3 CD set + Book + Digital","offer_id":44667156889823,"sku":"SI-NS-070","price":34.99,"currency_code":"USD","in_stock":false},{"title":"3 CD Set + Digital","offer_id":44667156922591,"sku":"CD-NS-070","price":24.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667156988127,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667156955359,"sku":"","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1785231054_10.jpg?v=1703788772"},{"product_id":"the-necks-vertigo","title":"The Necks - Vertigo","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2107741802\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/vertigo\"\u003eVertigo by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Necks 18th album \u003cem\u003eVertigo\u003c\/em\u003e is an eventful, kaleidoscopic tone poem set against a darkly shimmering background. Slowly but inexorably moving forward, it crosses many frontiers yet remains true to the mission and mood established in the opening stanzas of this cinematic 44 minute journey. A work able to be viewed either as a whole, or two symmetrical halves, \u003cem\u003eVertigo\u003c\/em\u003e sees The Necks once again offer an excursion in sound that reflects both the light and darkness of some preternatural world.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVertigo\u003c\/em\u003e will be released on 30th October in North America by Northern Spy Records. It follows their acclaimed 2013 album Open, described by SPIN as ‘the most beautiful album of the year’.\u003c\/p\u003e\n\u003cp\u003eIn contrast to the sustained improvisations that are their live performances, The Necks’ studio albums take shape by way of intricate crafting brought to bear throughout the entire recording and mixing process. “The discussion this time really began in earnest in the session itself, where we started to pursue the idea of having a drone running from start to finish, off which we could hang ideas,” said bassist Lloyd Swanton “But like all Necks albums we ended up in a very different place from whatever our initial notion of it had been.”\u003c\/p\u003e\n\u003cp\u003eMaintaining a teetering tension between suspension and collapse, \u003cem\u003eVertigo\u003c\/em\u003e draws on a diverse palette of sounds created in the studio by Tony Buck (drums\/percussion\/guitar), Lloyd Swanton (bass) and Chris Abrahams (piano\/keyboards), featuring everything from homemade instruments, extended instrumental techniques and marathon explorations of sonic textures.\u003c\/p\u003e\n\u003cp\u003eOne piece, at the same time two. Monochrome, yet multicoloured. Dark, yet incandescent. Expansive and still. Melancholic and exhilarating. The Necks. \u003cem\u003eVertigo\u003c\/em\u003e.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667157577951,"sku":"LP-NS-067","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667157676255,"sku":"CD-NS-067","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667157610719,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667157643487,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1767889221_10.jpg?v=1703788782"},{"product_id":"odetta-hartman-222","title":"Odetta Hartman - 222","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=614738325\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odettahartman.bandcamp.com\/album\/222\"\u003e222 by Odetta Hartman\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eOdetta Hartman is a young woman keeping the spirit of Old New York alive. With a heart-stopping voice and wide-ranging instrumental talent, she carries cowboy soul into a new era where country can clash with computers, and bluegrass isn’t afraid of bass.\u003c\/p\u003e\n\u003cp\u003eWith her first strictly solo record, 222 — an experimental, bedroom-produced hybrid of folk, musique concrète and psychedelia — Odetta Hartman and her partner, sound artist and producer Jack Inslee, have created something completely original and unsettling: badass banjos, detuned violins, superstitious stories and eerie soundscapes all give backing to beautiful vocal stylings that range from sensual to spooky.\u003c\/p\u003e\n\u003cp\u003e222 presents itself as a post-modern audio novella: its 22-minute running time makes it as concise as your favorite Netflix episode, and its eclectic edge is sure to leave your head spinning by the time you’re through. In addition to writing all of the songs, Odetta sings, plays banjo, violin and guitar and incorporates samples from her own field recordings to create a truly idiosyncratic world of sound. A companion remix EP will be released in collaboration with Full Service Party, featuring unique reinterpretations of each track from some of the finest talents in the electronic music world.\u003c\/p\u003e\n\u003cp\u003eThe 25-year old East Village native grew up around experimental filmmakers, street poets and after-hours debauchery, all thanks to her pioneering parents (founders of the local institution Two Boots Pizza) who have cultivated her passion for musical performance since the tender age of 4 years old. She currently teaches neighborhood girls age 8-18 how to produce radio and music at the Lower Eastside Girls Club.\u003c\/p\u003e\n\u003cp\u003eOdetta Hartman has explored traditional forms of Americana with previous projects – she was a popular performing artist in The Sparrows while at Bard College, she toured the country with songwriter-magician Gryphon Rue, has ample credits for multi-instrumental session work, and self-released two EP’s with some of the best musicians NYC has to offer.\u003c\/p\u003e\n\u003cp\u003eIn addition, she has had rich experiences performing live at such prestigious venues as Pioneer Works, Le Poisson Rouge, Summerstage’s East River Park Amphitheater, Brooklyn Night Bazaar, The Knitting Factory, Chez Andre @ The Standard and The Allen Room at Jazz @ Lincoln Center.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667157807327,"sku":"LP-NS-069","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667157872863,"sku":"CD-NS-069","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital","offer_id":44667157938399,"sku":"CS-NS-069","price":9.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667157840095,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667157905631,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2555984652_10-1.jpg?v=1703788792"},{"product_id":"white-out-with-nels-cline-accidental-sky","title":"White Out \/ Nels Cline - Accidental Sky","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2832417878\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/whiteoutnelscline.bandcamp.com\/album\/accidental-sky\"\u003eAccidental Sky by White Out with Nels Cline\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNew York radical innovators White Out and transplanted Los Angeles legend Nels Cline share a long musical history, having played together for over a 15-year period. Anyone lucky enough to have caught these guys in live performance can attest to their special chemistry. They play a kind of improvised chamber music. Their tightly cohesive interplay the sonic consequence of years spent developing their highly personal electro-acoustic language. Any attempt to assign a label to their collective sound falls short. Reductionist classifications like Free Jazz, Prog, and Experimental, although all applicable, fail to convey the full depths of their jams. The music they make together is as eclectic as the venues they have performed in are diverse: A jazz dungeon in Paris, an artist squat in Geneva, the All Tomorrow Parties Festival in the UK, an improvisers’ compound in Marseilles, or indie rock enclaves in Los Angeles, London, and New York. Accidental Sky represents their first official release, and their first attempt at recording in a studio together. The album does not disappoint.\u003c\/p\u003e\n\u003cp\u003eAccidental Sky runs the full gamut of artistic expression. Some of the more tempestuous tracks like the album’s epoch opener “Imperative,” the laconic “Ragged Mist of Stalled Horizons,” or the jagged “Sirius Is Missing,” range in dynamic structure from deliberate calm to unbridled fury. While other selections are more abstruse, such as the mysterious “Exaltation By Proxy” and the noirish “Under A Void Moon,” which feature haunting themes, sinuous flute lines, and otherworldly vocals. “Winter Light” stands as a kind of sparse tone poem, driven by long reverberating bell sounds. There is even a euphonious ballad in the form of the album’s closer “Soft, Nameless, Absolute.”\u003c\/p\u003e\n\u003cp\u003eAccidental Sky casts White Out in a different light than any of their other previous releases, which feature the likes of Thurston Moore, Jim O’Rourke, and William Winant. As with all their musical pairings, they are able to entirely transform their sound to accommodate their guest collaborator while simultaneously retaining their own strong creative identity.\u003c\/p\u003e\n\u003cp\u003eThis album is a long time coming, and the documentation of these artists recording together is cause for celebration. With the release of Accidental Sky, the world at large can finally join White Out and Nels Cline on their eternal quest to explore the infinite possibilities of sound, rhythm, and space.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667158003935,"sku":"LP-NS-066","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667158036703,"sku":"CD-NS-066","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667158102239,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158069471,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/AccidentalSky_cover_1400pxWeb-e1646851882659.jpg?v=1703788805"},{"product_id":"cloud-nothings-here-and-nowhere-else-in-windings","title":"Cloud Nothings - Here and Nowhere Else (In Windings)","description":"\u003cp\u003eDYLAN BALDI\u003c\/p\u003e\n\u003cp\u003eI’m writing this little monologue during a quick break from packing all of my belongings into poorly folded cardboard boxes, preparing to move to Western Massachusetts from my lifelong home of Cleveland, Ohio.\u003c\/p\u003e\n\u003cp\u003eThe most labor-intensive thing to file away and pack is, of course, my record collection. But this move has given me a chance to take a look through every one of my albums and think about some patterns in my obsessive collecting. One thing I noticed? No remix records in the bunch. Not even an album with a remix on it, minus a few techno and hip hop singles. The remix seems to be a phenomenon that has passed me by entirely, left me completely immune to its promise of…well…something. The thing is, I’m not really sure what the purpose of a remix is. I never have been, and I certainly can’t say I am now, even after releasing an album full of them under my band’s name.\u003c\/p\u003e\n\u003cp\u003eBut one thing I can be certain of is that there are a lot of records in my collection that were made by friends of mine. People I’ve toured with, people I grew up with, people I met from going to shows in Cleveland and from playing shows in other places around the world. Ever since I started Cloud Nothings my life has been filled with amazing, talented people from every corner of the earth. But some of the most exceptional are from where I’ve been all along: here in Cleveland.\u003c\/p\u003e\n\u003cp\u003eTo be able to release a record like this is an honor, and I hope all of the people featured on this album know I think of it as such. These are not remixes as much as they are completely new songs, using our work only as the most skeletal outline and filling out the body with the utmost individual personality and creativity. And these people are truly individuals – John Elliott wrote his commentary in orange comic sans font for god’s sake.\u003c\/p\u003e\n\u003cp\u003eIt means a lot to have people as gifted as these eight guys give their own treatment to my band’s songs, and it means even more that I can count most of them as friends of mine. I look forward to continuing to learn from them via their music and conversations, and I hope this record can shed some light on aspects of Cloud Nothings that have been hidden and under-utilized on our recorded output so far. And I also hope that Khaki Blazer becomes rich and famous beyond his wildest dreams, because that track made me laugh more than anything else I’ve heard in 2015. And now it’s time to get back to packing.\u003cbr\u003e\nJAYSON GERYCZ\u003c\/p\u003e\n\u003cp\u003eWhen Northern Spy first asked us to make something for “record store day” the last thing I thought we were going to do was have our entire record remixed by our friends. I’m extremely happy that we did so and stoked on final product. I’m not really into the idea of a remix for a rock band, usually they don’t turn out very well and really it just doesn’t seem that necessary. Every time we release an album we end up having one or more of our songs remixed by some random dude. When we first finished Here and Nowhere Else I started brainstorming trying to think of an artist that I would actually be stoked about doing a remix for us. At that time I was (still am) listening to ‘Donato Dozzy plays Bee Mask’ a lot and around that same time I had the privilege to spend some time with and get to know Chris Madak. After being around Chris for one day I was completely blown away with his knowledge and understanding of music, I knew for sure thats the guy Id love to have remix one of our tunes. Asking the other guys to remix the rest of the album just naturally made the most sense, they’re all friends and some of the best jammers around. Those are the kind of people Id trust to bust a remix.\u003c\/p\u003e\n\u003cp\u003eSam Goldberg is a great friend and has been a supporter since Cloud Nothings first started in 2010. I actually remember Sam booking one of our first gigs at his house. I recall the lineup being Cloud Nothings opening for Daniel Higgs and Mark McGuire. Only Sam could do that. Sam’s remix really helps set the pace for this bizarre remix album.\u003c\/p\u003e\n\u003cp\u003ePat Modugno (Khaki Blazer) is one half of the legendary Kent OH based group called Moth Cock, if you don’t know what that is you really ought to study up, they’re every weirdos favorite band. Pat’s Khaki Blazer project is so awesome and if you dig his remix you should scope some of his mix tapes because they are straight fire! https:\/\/soundcloud.com\/khaki-blazer. to say the least it was an honor having Pat bust a remix.\u003c\/p\u003e\n\u003cp\u003eSteve Peffer’s (Factorymen) remix is one of my favorites. I had no clue what to expect from Steve when I asked, but I did know that I like all of his bands. If you don’t know any of Steve’s bands again….study up, because they’re all amazing. We had the privilege of taking one of his bands Pleasure Leftist on tour with us in 2014 and that was a real nice time and they’re a great band. I didn’t know what to expect from his remix but I did know he would deliver something incredible, which he did. If you’re ever in Cleveland make sure you check out his record shop Hausfrau.\u003c\/p\u003e\n\u003cp\u003eI first met Adam Miller around the time when we were first working on Here and Nowhere Else in the basement of my old house on Fowles Rd in Middleburg Heights Ohio. He would come over post up with his synths and jam for hours. He’s another brilliant jammer and runs a sick tape label called overview http:\/\/overviewltd.com\/home . I wasn’t worried at all when asking Adam to do a remix, I knew he’d deliver something awesome.\u003c\/p\u003e\n\u003cp\u003eHaving John Elliott and Drew Veres (Outer Space) remix one of our songs just seemed like it made the most sense. John and Drew both are very close friends of mine and have always showed support for Cloud Nothings especially in the last 3 years. I lived with John on Fowles road and got to hear him and Drew create so much incredible music. After hundreds of hours watching damaged movies and listening to amazing records together I knew for fact that they would create something very fitting. If you don’t know about Spectrum Spools..GET WITH IT!\u003c\/p\u003e\n\u003cp\u003eBen Billington (Quicksails) is an amazing drummer who makes killer electronic music. I was actually listening to his album ‘Silver Balloons in Clusters’ (if you don’t know it check it out) when I was trying to come up with the last couple remixers. Ive seen Ben play psych\/jazz\/noise\/rock so I felt it was pretty safe handing our jams over to him to make a remix. He did such a great job.\u003c\/p\u003e\n\u003cp\u003eJohn Daniel (forest management) is such a kind spirit. John’s minimal drone music is so beautiful and moving. When I first asked John if he was interested he got back to me right away asking what song. I didn’t know John even knew our album at all, but he did and he requested Pattern Walks which was probably the most fitting tune for him to remix. its amazing that he turned our longest and very aggressive tune into a beautiful drone track using Dylan’s guitar and vocals. John was one of the three remixers who knew exactly what track they wanted along with Outer Space and Bee Mask\u003c\/p\u003e\n\u003cp\u003eChris Madak is a complete fucking genius. I have no clue how he makes the music he makes and I don’t understand how he turned I’m Not Part of Me into what it is on the remix album, but I’m certainly glad he did! Every time I’m around him and hear him talk on his ideas and thoughts for music I get inspired even though I don’t fully understand what he’s talking about. Man, I wish I had a noggin thats wired as wild as his. When We Were Eating Unripe Pears will always be one of my favorite records.\u003c\/p\u003e\n\u003cp\u003eIts so cool that all of these jammers are originally from OH, and its even better that I can call them my friends. Ive learned so much from these guys and all the other wild jammers in Cleveland. Cloud Nothings certainly would not be jamming the way we do now if these people weren’t apart of our lives, whether its a recording or spending time together these jammers helped provide necessary influences that helped get us where we are now and I can’t thank them enough. everyone should go listen to all of these artists recordings!\u003c\/p\u003e\n\u003cp\u003eTJ DUKE\u003c\/p\u003e\n\u003cp\u003eA. A violent order is a disorder; and\u003cbr\u003e\nB. A great disorder is an order. These two things are one.\u003cbr\u003e\n-Wallace Stevens\u003c\/p\u003e\n\u003cp\u003eThough seemingly obtuse, this quote from “connoisseur of chaos” puts into focus the reason this record has become so important to me. Since the creation of h.a.n.e. was one of near recklessness and immediacy, when the idea of turning it over to a flock of bona-fide weirdoes and visionaries came in the form of a “remix album”, we immediately began it’s pursuit. Within a couple of weeks the tracks started to surface and the result was astonishing. Each one was thrilling to experience — our music distilled to its elemental state and rebuilt into a genuine expression. It quickly became clear that not only did these tunes stand on their own, but they worked together in unexpected harmony as if they all conspired to create some hallucinatory redaction of our record. I am as proud of this release as anything we have done as a band, and with the help of our friends I think we’ve created a record that pays respect to a few of the artists that have inspired us to open our heads and grow, it’s my sincere hope that it will do the same for the fans of cloud nothings. Enjoy.\u003c\/p\u003e\n\u003cp\u003eSAM GOLDBERG – NOW HERE IN\u003c\/p\u003e\n\u003cp\u003eRemixing music is still really strange to me. For lack of a better way to explain it, to me, it seems like most of the time, remixes fall into two zones. Either it’s a remix to promote and create internet buzz (which seems really prevalent and dark) or remixing artists for the purpose of modifying source material to present in a dance atmosphere, the more purposeful zone.The CN album doesn’t seem to fall into either of those categories… it’s a complete outlier. Also, oddly having total weirdos remix it rather than an indie edm act from the PR world seems makes the release actually something interesting. Hearing some stabby stubby synth club remix of CN would just be too damaged and would likely end up in the worlds overfilled trash bin of unnecessary remixes. None of the acts are really like remix heads, each act is first and foremost an original creative project or being… and I think that’s why this plays less like a “remix” compilation and more like a regular album… a cohesive reflection of an interconnectedness of a group of geographical relatives.\u003c\/p\u003e\n\u003cp\u003eThe song had a few different hooks that I could sink my teeth into. I wanted to at least include a shred of the CN sound that their fans are into, while still presenting something that would come naturally from me. As I listened through the guitar, drums, and bass tracks, I chose the real hard hitting hook that I thought could juxtapose a mellow pad zone that I could create. I wanted to do something kind of simple, that could be used as a transitional piece. I wanted to give them something that could make the album… more album-like. Also, once it started to sink in, I realized that I would try to create something like Cluster meets Lulu… I think I was somewhat successful at that.\u003c\/p\u003e\n\u003cp\u003eKHAKI BLAZER – QUIETER TODAY\u003c\/p\u003e\n\u003cp\u003eMy track was quieter today. I had never heard it until cloud nothing’s drummer Jayson asked me to remix it. I don’t know the other dudes in the band all too well but I got to know Jayson pretty well through various shows in Cleveland. I’m honestly not in to any kind of modern rock band. Im into some stuff from the 60s-70s ,but mostly for the trippy aspect of the music. With that said, I was a little unsure as to how I should remix something that’s sort of uncharted territory for me. I felt even more unqualified when I received the stem tracks. The files were too big to fit on my shitty phone, and I had to load them on to a borrowed lap top. There were like 25 stems all for one song. This blew my mind. I’m used to using sub par gear and have no experience in studios. I don’t even use a mixer. There was a strong feeling that a well crafted project was being handed to an inexperienced scum bag. It was also funny doing a remix of a song that isn’t dance-y or funky. If anything the original song is emotional. That’s something I respect in artists but won’t do myself. As khaki blazer, I work off of dumb and passive vibes. I usually take samples from old recordings from failed projects, funk records, vine ect. Using cloud nothings stems as a sample source was a hilarious change of pace. I added some of my own percussion and synth. Aside from that, I mostly built the track on Jayson’s drums and various vocals that they gave me. It sounds nothing like the original song. I was happy with it. Its really not that different from my own stuff. I think my track is the only one in mono too. I didn’t even know I recorded in mono.\u003c\/p\u003e\n\u003cp\u003eFACTORYMEN – PSYCHIC TRAUMA\u003c\/p\u003e\n\u003cp\u003eCloud Nothings gave me probably their most accessible tune. In essence, a pop song. The reimagining that came out is understandably a challenging listen. It’s the deconstruction of the three waves of a dream. My dreams generally flow in three waves. So that was my approach to this song. A dreamer’s warped deconstruction of a pop song. And since imagination is king and rules or any sense of traditional song structure do not regulate in dreamland, I was able and motivated to let my paranoid subconscious run hogwild with the tune and we’re left with a not untypical dream’s end. A closing without closure.\u003c\/p\u003e\n\u003cp\u003eADAM MILLER – JUST SEE FEAR\u003cbr\u003e\nThe original track is really fast and direct, so I tried to follow a similar pace for my version. besides that, I had no idea what to do for this, since the cloud boys definition of “remix” could mean a million different heady things. I decided to make a track based around loops of the source material, with the end result sounding a lot like the stuff I made when I was staying in middleburg heights all the time. Except instead of weetzie stealing my chair every 5 mins, I had Buster and Bob laid out on my bed. While I continued to work on the track, memories of the house ended up influencing the direction way more than I had anticipated. Thanks to the Fowles crew for their endless hospitality. (weetzie, buster, and bob are cats)\u003c\/p\u003e\n\u003cp\u003eOUTER SPACE – GIVING INTO SEEING\u003cbr\u003e\nJOHN ELLIOTT (OUTER SPACE)\u003c\/p\u003e\n\u003cp\u003eMy immediate thought when hearing the new record was that it hands down their best effort yet. In fact, when I run on my treadmill, which is nearly everyday, I pretty much only listen to this record and “Tri Repetae”.\u003c\/p\u003e\n\u003cp\u003eI feel like a lot of the people making music in Cleveland are pretty tightly knit. There is a great group of people who have been working for many years and everybody seems to know one another well. The thing that’s great is that it doesn’t really matter what anybody is doing, wether it’s a rock trio or a guy DJ’ing, if you’re striving you end up around the right people. The Cloud Nothings are no exception, and so we didn’t hesitate to morph their music in a way Drew and I would execute it for an Outer Space track. The end result isn’t really far off from what they actually do (at least in our minds). Even since “Attack on Memory” there have been some more motorik and repetitive parts that are really great, we just made a salvia styled time loop of a part we really liked and put some drum machines and electronics on top. We knew they’d like it and we’re pretty happy to be a part of it.\u003c\/p\u003e\n\u003cp\u003eDREW VERES (OUTER SPACE)\u003c\/p\u003e\n\u003cp\u003eWhen Jayson initially asked us about working on this we were pretty excited. John and I both were already big fans of the album, and hadn’t worked on a remix like this before. I couldn’t say what really led us to the final product. We spent time experimenting with different parts of the original before settling on what became the core of the remix.\u003c\/p\u003e\n\u003cp\u003eQUICKSAILS – NO THOUGHTS\u003c\/p\u003e\n\u003cp\u003eCloud Nothings are surrounded in the best company and have luckily found themselves entrenched in a sea of amazing friends all over the world, and especially in their hometown of Cleveland. Northeast Ohio is a hotbed of experimentalism in music, and the Cloud boys are right in there. While it may seem risky to take their rock ‘n’ roll tunes and hand them over to a bunch of “experimental music” guys for remixing, this situation was more of a “family compilation”. I believe every person involved are close friends and love each others music. Its a very special thing, and I’m so glad this happened! No better way to explore new aspects of a band than to deconstruct and examine in new light.\u003c\/p\u003e\n\u003cp\u003eI’ve only been familiar with the Cloud Nothings for a year or so, and haven’t heard much of their recorded music. When the band asked me to remix ‘No Thoughts’, I believe I had only heard the song in a live setting here in Chicago. I listened to the full song once all the way through, and then that was it before going to work on it. It was important for me to approach this remix in a different working method than my usual Quicksails composing style, so I experimented with ‘sampling’. I took a very short few seconds of the bass line, few seconds of guitar, and a few seconds of the lead vocal, and then basically used those few elements to compose the frame of the track. There is an upright piano in my house so I got a bit of that in there as well as a bit of tabla and synthesizer. I thought it ended up sounding pretty psychedelic but also spacious, which was the intention. It was a really fun experience!\u003c\/p\u003e\n\u003cp\u003eFOREST MANAGEMENT – PATTERN WALKS\u003c\/p\u003e\n\u003cp\u003eI wanted to capture the power that I hear in Cloud Nothings’ music. “Pattern Walks” is unique in its duration and sense of space, and there is a certain tone that you don’t hear anywhere else on the record. Dylan’s guitar seemed very fitting for my usual approach in creating drone music, so I used it for the foundation of the remix. It didn’t feel complete, though, and sticking with just the guitar didn’t seem right. I started experimenting with looping Dylan’s vocals, and eventually managed to capture this continuous line of “I thought, I thought, I thought…”. This really completed the remix for me, and on a more profound level, I felt like it highlighted a certain emotional aspect of Dylan’s vocal line, which was an unexpected element. When I listened back to the completed remix I felt a much deeper connection to the song.\u003c\/p\u003e\n\u003cp\u003eBEE MASK – IM NOT PART OF ME\u003c\/p\u003e\n\u003cp\u003eWhen Jayson asked me about remixing something from “Here and Nowhere Else”, “I’m Not Part of Me” was my immediate choice. The decision was an intuitive one on my part (I’m as much a sucker for a bulletproof hook as anyone), but now that I’ve had some time to think, it makes a particular kind of sense. “I’m Not Part of Me” feels like the moment at which the record becomes conscious of itself as such, when, after seven tracks of sustained forward momentum, Cloud Nothings pause to wink at the idea that as they’re performing, they’re inevitably, well, performing — hiding as much as they reveal by virtue of the very nature of the game. The tone of the record, which up to this point has been dominated by bile and pessimism gives way to forcefully declaimed, fake-it-till-you-make-it serenity. Sure it’s affected, but it reflects a striking understanding of the power and inevitability of affectation.\u003c\/p\u003e\n\u003cp\u003eHad it (for example) opened instead of closed the record, “I’m Not Part of Me” would still be a killer song, but in some small way, “Here and Nowhere Else” would be a more average record. By virtue of this performative coming-to-terms showing up at the curtain call, it slyly acts out the way in which the synthesis and aestheticization of experience is always partial and always aspirational. In its own way, it’s meta-songwriting as much as, say, Harry Nilsson or U.S. Maple.\u003c\/p\u003e\n\u003cp\u003eThat Cloud Nothings’ understanding of craft extends beyond the construction of individual songs to the ability to carry off these sorts of subtle formalist tricks is a huge part of what I like about their work, and because my own productions are very much a matter of making records that really aggressively foreground their constructedness and playing around with the ways in which the sensation of inevitability can be produced as an aesthetic effect, I suppose that there was something in “I’m Not Part of Me” that I related to and which showed me a way in when I started working on the remix.\u003c\/p\u003e\n\u003cp\u003eWhere the specific direction in which I took things is concerned, there are a few factors in play. When I do remixes, I’m always conscious of the fact that I’m essentially being asked to do my idea of someone else’s idea of my style. There’s an element of self-parody to it, which is probably a healthy way to look at the situation, because otherwise it would be too easy to turn in the sort of grim, assembly-line version of your schtick that characterizes remixing at its least interesting. So I’m always looking to deliver something a bit over the top and outré, looking for challenges and opportunities that I might not get out of sitting in my studio slogging it out on whatever else I’d have been working on, and looking for the chance to take some aesthetic or technical thing that I’m dealing with in my own work, see how it works in a different context, and inflate it to the point of absurdity.\u003c\/p\u003e\n\u003cp\u003eIn this case, I was hugely stoked to have really comprehensive multitracks of nicely recorded drums and guitars. I don’t often get to work with those sorts of sounds and I specifically requested that I get every individual mic’d element as opposed to submixed stems so I could go nuts making like fifty new versions of every snare hit, for example. When I started in on this remix I’d just had my head totally done in by reading Iannis Xenakis’s “Formalized Music” and had spent the last few months developing a group of probabilistic sequencing patches for use in my own material. One feature of these sequencers is that they have a particular way of controlling and modulating the degree to which a group of otherwise quasi-random processes appear to be correlated, and when you apply this correlation to more conventionally “musical” material, the result is really hilariously unsettling and uncanny. This seemed like the perfect opportunity to push those techniques into totally inappropriate insect-prog territory, and indeed a lot of the finished track was made through painstaking hand-editing of that kind of algorithmic vomit. Not everything made the cut — one working draft had an entire “Owner of a Lonely Heart”-sounding verse, for example — but quite a lot of it did in the end, as you can probably tell.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667158200543,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158233311,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/cloudremix.jpg?v=1703788813"},{"product_id":"shilpa-ray-last-years-savage","title":"Shilpa Ray - Last Year’s Savage","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=20785586\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shilparay.bandcamp.com\/album\/last-years-savage\"\u003eLast Year's Savage by Shilpa Ray\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eNobody grows up wanting to be an artist’s artist. Appreciated by the sub sect of the sub sect is like being the beauty queen at the leper colony. Hell, anybody who claims they grew up wanting to even be an artist rather than an astronaut or a Cthulhu is probably lying or was a corny kid. Art is hard and degrading and generally bullshit. Your friends will find you irritating and your parents will certainly not throw you a parade. But if you’re an artist you’re an artist; the soul will fuck you every time, what can you do?\u003c\/p\u003e\n\u003cp\u003eShilpa Ray is, through no fault of her own, one of our unsung great artists. Having made her bones with the gothic Sturm und Drang of Beat The Devil and moving forward to the blues erosion of “…and The Happy Hookers” Shilpa Ray has been, armed only with an incomparable voice and harmonium haunted by the ghosts of dead lovers, perpetually crying in the wind, hoisting both middle fingers in the general direction of god. It’s not a life a wise man would choose. Shilpa Ray kicks against the pricks but the pricks keep coming. But, again, what can you do?\u003c\/p\u003e\n\u003cp\u003eWell, that’s been the narrative until now. With Last Year’s Savage (maybe a nod to Leonard Cohen maybe a nod to Barrence Whitfield) Shilpa Ray has taken the pain and dark funk of earlier sounds and made explicit the sublimity that was always there just below the surface. The conversation has become less a break up with doors ripped from their hinges and more the last pained pillow talk before parting. The obsessions with sex, death, bodily functions, and betrayal (not necessarily in that order) remain but Shilpa has expanded the palate to convey the resignation, the simmering discontent of an artist disenfranchised and held down. This is a quieter rage than the music Shilpa Ray has made before, more plaintive and considered, even if it’s the quiet of a hand gripped tight on the axe handle. The music remains gorgeous and stirring in its directness while Shilpa herself remains, thankfully, entirely and inappropriately threatening.\u003c\/p\u003e\n\u003cp\u003eShilpa Ray has, up till this, point, yes, been an “artist’s artist.” Just about every musician in New York City, who doesn’t hate her, loves her. Nick Cave sings her praises to all with the ears to listen (he brought her along a European tour as an opener and as a backup singer in the States). Obviously there are some who will always prefer lesser versions of the Shilpa Rays of the world (as if there could be more than one), preferably with blue eyes and On Brand Waifishness, but the truth will, eventually out. Talent this big can only be kept down for so long before the sky cracks and we all drown in the blood of angels. Either way, this is Shilpa Ray’s year.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667158331615,"sku":"LP-NS-064","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667158397151,"sku":"CD-NS-064","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667158364383,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158429919,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Shilpa-Ray-Last-Years-Savage-Cover-hi-res-e1646851866906.jpg?v=1703788823"},{"product_id":"shilpa-ray-make-up","title":"Shilpa Ray - Make Up","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1417455414\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shilparay.bandcamp.com\/album\/make-up-ep\"\u003eMake Up EP by Shilpa Ray\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe former backup singer for Nick Cave steps out from his shadow to release the Make Up EP, a pair of imaginatively adapted covers. On Lou Reed’s quirky “Makeup,” described by Rolling Stone as an “image of the…sissy traipsing around and lisping about effeminacy,” Shilpa Ray filters the story through the antithetical lenses of explosive noise and charming cabaret. Next, Dinah Washington’s legendary “What A Diff’rence A Day Makes” is given a seventies soft-rock makeover, and you find yourself completely bewitched by Shilpa’s captivating vocals and dreamy wurlitzer piano. Only a brief taste of what’s in store on her brilliant upcoming LP, Last Year’s Savage (\u003cspan class=\"aBn\" tabindex=\"0\" data-term=\"goog_798515051\"\u003e\u003cspan class=\"aQJ\"\u003eMay 19th\u003c\/span\u003e\u003c\/span\u003e on Northern Spy), these songs are sure to whet the appetites of long time fans and new ones alike.\u003c\/p\u003e\n\u003cp\u003eIn Shilpa Ray’s words:\u003c\/p\u003e\n\u003cp\u003eI had an epiphany about “Make Up” (written by Lou Reed) when I was in Palermo around Christmas time after the Bad Seeds tour. Lou had died late October. I found out 10 minutes before I had to play solo before a sold out crowd at the Hammersmith Apollo in London. Needless to say, his passing had a massive effect on me. He was my childhood hero. Europe was hard to grasp for me in a lot of ways. The culture, language barriers,the overload of dairy and ghettos of freshly placed refugees from countries, some I had never heard of before. I was exhausted and getting drunk outside a bar where you can get Marsala for a Euro, basically all I could afford. There were tons of kids dancing in the streets getting high and happy, when this stray yellow lab walked up to me and starts swaying back and forth. The song Make Up came blaring through the stereo and I started swaying with the dog. It was one of those rare moments I felt alright.\u003c\/p\u003e\n\u003cp\u003eShilpa’s thoughts on “What A Diff’rence A Day Makes” (written By María Grever with English lyrics written by Stanley Adams)\u003c\/p\u003e\n\u003cp\u003eWe had decided to go to the Rock n Roll Hall of Fame during a tour stop in Cleveland. I was pretty cynical about the whole thing and tour hadn’t been smooth. I had to send a dude home for being a brat in Kansas City among other places and was feeling pretty exposed as the bad guy. It was a stressful situation and trying to justify my actions in the passive aggressive world of music where no one’s making any money felt daunting. I separated myself from the group, the costumes, the Katy Perry and the Beyonce and hung out in the listening booth for hours. Dinah Washington came on and put every wannabe singer, myself included, to shame. What a voice! She draws her breath so long and never loses the listener. I had to challenge myself with this one. I hope I can sing like her someday.\u003c\/p\u003e\n\u003cp\u003e“Make Up” and “What A Diff’rence A Day Makes” performed by:\u003cbr\u003e\nShilpa Ray – vocals and keys\u003cbr\u003e\nJon “Catfish” Delorme – Pedal Steel\u003cbr\u003e\nAlistair Paxton – Bass\u003cbr\u003e\nRuss Lemkin – Drums\u003c\/p\u003e\n\u003cp\u003eRecorded in January 2015 by Jason LaFarge at Seizures Palace\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Cassette + Digital","offer_id":44667158724831,"sku":"CS-NS-065","price":8.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667158692063,"sku":"","price":2.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158757599,"sku":null,"price":1.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Shilpa-Ray-Make-Up-cover_web.jpg?v=1703788831"},{"product_id":"zs-xe","title":"Zs - XE","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4020678438\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zstheband.bandcamp.com\/album\/xe\"\u003eXe by Zs\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eZs is devoid of genre and unclassifiable. Since 2000, founder Sam Hillmer has remained its purveying constant, and with the addition of loose-limbed, meditative percussionist Greg Fox (Liturgy, Guardian Alien, Man Forever), and virtuosic avant-classical guitarist and composer Patrick Higgins, the band has found its epochal lineup. The trio’s vision is crystallized on Xe, Zs’ first full-length featuring the new trio, and first proper since 2010’s critically acclaimed New Slaves.\u003c\/p\u003e\n\u003cp\u003eHillmer, Fox and Higgins—three supremely heavy sages who exchange their pulsating phraseology with a mind-blowingly telepathic bent—in one room, nailing Xe in one miraculous live take, manned by Higgins and noted A-list producer Henry Hirsch (Lenny Kravitz, Madonna, Mick Jagger) at the boards in Hudson, New York’s Future-Past Studios.\u003c\/p\u003e\n\u003cp\u003eThe music on Xe even transcends artistic mediums, influencing renowned visual artist Tauba Auerbach, who believed Zs was examining the same structural concerns as her own work. She created several copies of two 3D printed steel sculptures derived from the mathematical varieties of helix known as the Z helix and S helix which she then arranged and photographed in various configurations for the Xe album art. From these, she also developed an original 3D typeface to construct ZS and XE on the interior of the packaging. The album’s minimalist, esoteric vibes aligned perfectly with Auerbach’s mind-bending and shadowy metallic sculptures. The artist attests to have never worked so hard on a record cover, nor gotten so much out of doing so.\u003c\/p\u003e\n\u003cp\u003eLike a bat out of futuristic and primal hell, Xe clangs and clatters out of the gate with “The Future of Royalty,” setting a sinister tone with a pummeling march of doomed knob-twiddling electro-shocks. Ghostly transmittals burst through cascades of hyper-distorted serrations on brutal synth twister “Wolf Government,” not unlike the cataclysmic solar systems of composer Ben Frost – whom Fox has also collaborated with. There’s the fractured sci-fi percolations of the electro-sax futureworld of “Weakling” and “Corps”. Xe’s jaw-dropping sonic architecture is manifested on the eighteen-minute title track, a controlled, yet chaotic, ecstatic marathon thick with its trademark crafted quiet\/loud heavy repetition, bleeding of tense, throbbing logic that erupt into euphoric explosions.\u003c\/p\u003e\n\u003cp\u003eThere might be no other way to describe Zs than as the deepest of DIY die-hard spiritualists exploring a genre-defying unheard music free of compromise and commercial leanings. Those aesthetics are illuminated on Xe. “The record starts with an explosion of caustic guitar noise and blazing drums and is then followed by a 7-minute desert of noise, finally, 10 to 12 minutes in you get a pulse,” Hillmer says. “No effects, no editing, nothing done in post, just a snap shot of three guys in a room who worked really hard on some music for a long time. That’s what we are bringing, and we really hope people can get into it, BUT! If they can’t, on a certain level, good. It’s alternative music for people who are seeking an alternative, and with this crisp domesticated indie\/EDM work on the rise, there may be more and more people seeking that. If so, y’all know where to find us!”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667158790367,"sku":"LP-NS-062","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667158888671,"sku":"CD-NS-062","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667158823135,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667158855903,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-11-at-8.24.29-AM.png?v=1703788841"},{"product_id":"thurston-moore-john-moloney-caught-on-tape-full-bleed","title":"Thurston Moore \u0026 John Moloney - Full Bleed","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=934309972\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thurstonmoorejohnmoloney.bandcamp.com\/album\/caught-on-tape-full-bleed\"\u003eCaught on Tape — Full Bleed by Thurston Moore \u0026amp; John Moloney\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eFor their latest spiritual odyssey, Thurston Moore and John Moloney deliver the volcanic and violent maelstrom, Full Bleed. But unlike the helter-skelter out-jazz of Caught on Tape (“Full bore savage highway stuff, the mind exploding with wall melting emotion,” says Moore\/Moloney about that platter), Full Bleed collects nine Herculean sludgefeasts dripping of gnarly metal-damaged heaviosity and punk-jazz skronk-splattered fury, transmitted in an alien language only this duo can convey. “They became songs as they were played,” Moore\/Moloney explain about their writing process. “Composed on the fiery tongue, like how all real cool improv needs to be experienced.” And as far as assigning actual names to the songs? “We titled them to identify them as distinct ‘songs’ because that is what they need to be to survive in this fucked landscape of politician dung patrol. They became snakes.”\u003c\/p\u003e\n\u003cp\u003eWith the pulverizing thumps ‘n’ thwacks and cymbal-crashing annihilation Moloney inflicts on the skins melted to Moore’s hefty metallic wasteoid licks and jazzmongering fuckery heard on opening salvo “Age Limit,” the title track and “Dispute,” it’s apparent Full Bleed is a distinct beast thick with black metal riffer vibes, sans corpsepaint.\u003c\/p\u003e\n\u003cp\u003eFull Bleed penetrates a stratosphere of brutal heaviness and spazzcore jazz traversed by Moore and his fellow figureheads in yesteryear downtown NYC at defunct experimental\/jazz hubs, The Knitting Factory, Tonic and The Cooler. Pedal-hopping, apocalyptic doom metal torture (“Full Bleed”), mangled avant-jazz noise noodlage (“Self-Rule”) and tasty SY-like space rock jammage (“Arguing with a Balloon”) portends two dudes on a mission of absolute devastation. Recorded at Sonelab in Easthampton, Massachusetts with oft-engineering cohort Justin Pizzoferatto and cover art courtesy of Moloney, Full Bleed is the heaviest of spasmodic bliss from two kindred bohemian noise spirits.\u003c\/p\u003e\n\u003cp\u003eA tour in support of Full Bleed may transpire. Or not. “John and I, whether in Caught on Tape, or in any of our other side projects ALWAYS tour,” says Moore. “We are soldiers of the road, warriors of the wing – buses, vans, cars, trains, bicycles — we get to gigs and we plug in whether we are expected to or not. We just may play again in support of this LP if we can find the minutes where the universe allows us to be in the same room at the same time.”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667159642335,"sku":"LP-NS-059","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667159707871,"sku":"CD-NS-059","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667159675103,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667159740639,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Thurston-Moore-John-Moloney-_E2_80_94-Full-Bleed-cover_E2_80_94web-copy-1-e1646851799215.jpg?v=1703788851"},{"product_id":"fred-frith-and-john-butcher-the-natural-order","title":"Fred Frith \/ John Butcher - The Natural Order","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300632064\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fredfrithandjohnbutcher.bandcamp.com\/album\/the-natural-order\"\u003eThe Natural Order by Fred Frith and John Butcher\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eGuitarist Fred Frith and saxophonist John Butcher are titans within the world of improvised music. Over the last four decades, each of these two men has permanently altered the way in which his instrument is heard: Frith with his (at times literal) deconstruction of the electric guitar, and Butcher with his exploration of the physical properties of sound and extended playing techniques.\u003c\/p\u003e\n\u003cp\u003eThough they’ve played live together a few times, The Natural Order, recorded in 2009 and mixed in 2012, documents Frith and Butcher’s first head-to-head encounter in a recording studio. The album is as pure a document as possible: recorded in a single stretch, with no overdubbing, the 10 tracks appear here in the order of their creation. It captures a single hour of unmediated interaction between two restless, creative spirits determined to make every moment with their respective instruments count. It’s not jazz, it’s not rock, it’s not noise—it’s pure music, the product of two men in one place at one time, unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eFred Frith – guitar\u003cbr\u003eJohn Butcher – saxophones\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667159937247,"sku":"CD-NS-060","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667159871711,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667159904479,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0862332074_10.jpg?v=1703788860"},{"product_id":"odeath-friends-family-vol-1-2","title":"o’death - Friends \u0026 Family Vol. 1 \u0026 2","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=307323181\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odeath.bandcamp.com\/album\/odeath-friends-family-compilation-vol-1-2\"\u003eO'Death - Friends \u0026amp; Family compilation Vol. 1 \u0026amp; 2 by various artists\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eFriends and Family is a mixtape series. It functions the way mixtapes always do – featuring our favorite tracks and trying to turn you on to music you haven’t heard before. All of the artists and projects included have some direct contact or history with o’death. Some have been touring partners, collaborators, side projects, or perhaps we just played a show together once.  We hope you enjoy our Friends and Family. They mean the world to us.\u003c\/p\u003e\n\u003cp\u003e– David Rogers-Berry\u003cbr\u003e\nO’Death\u003c\/p\u003e\n\u003cp\u003eO’Death’s Friends \u0026amp; Family Compilation Vol. 1\u003c\/p\u003e\n\u003cp\u003eSide One:\u003cbr\u003e\n1. Big Blood – The Grove Is Hotter Than An Ocean’s Oven\u003cbr\u003e\n2. O’death – Heal in the Howling (demo by Greg and Bob)\u003cbr\u003e\n3. Charlie Parr – Cheap Wine\u003cbr\u003e\n4. Interlude – Razed Against the Wire\u003cbr\u003e\n5. The Icebergs – Broken Heart\u003c\/p\u003e\n\u003cp\u003eSide Two:\u003cbr\u003e\n1. Intro – Angels Fool the Light\u003cbr\u003e\n2. Dead Western – Separation Isolation\u003cbr\u003e\n3. Lonesome Leash – Dead\u003cbr\u003e\n4. Greg Jamie – Be Brave\u003cbr\u003e\n5. The Woes – I’m The One\u003cbr\u003e\n6. Outro – Aleph \u0026amp; Omega\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003e\nProduced by David Rogers-Berry (o’death)\u003cbr\u003e\nArt by Leah Perrotta\u003cbr\u003e\nLayout by Adam Downey\u003c\/p\u003e\n\u003cp\u003eO’Death’s Friends \u0026amp; Family Compilation Vol. 2\u003c\/p\u003e\n\u003cp\u003eSide One:\u003cbr\u003e\n1. Murder By Death – Home\u003cbr\u003e\n2. Greg Jamie – O’Death\u003cbr\u003e\n3. This Frontier Needs Heroes – Down On The Farm\u003cbr\u003e\n4. Colin Langenus and Jonah Rapino – Processional\u003cbr\u003e\n5. Interlude – Princess Peter – Black Tongue Edit\u003cbr\u003e\n6.The Huntress – Call To Arms\u003cbr\u003e\n7. Outro\u003c\/p\u003e\n\u003cp\u003eSide Two:\u003cbr\u003e\n1. Mystery Red Inferno – Possum\u003cbr\u003e\n2. Interlude – Sgub Strings\u003cbr\u003e\n3. Clawman – (Don’t) Call Us\u003cbr\u003e\n4. Interlude – Hate Screwed\u003cbr\u003e\n5. North Collins – Bridge of Branches\u003cbr\u003e\n6. Interlude – Dan Deacon – 005 sept22\u003cbr\u003e\n7. O’death – Living Ghost\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003e\nProduced by David Rogers-Berry (o’death)\u003cbr\u003e\nArt by Leah Perrotta\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667160002783,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160035551,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-13-at-7.51.29-AM.png?v=1703788868"},{"product_id":"odeath-out-of-hands-we-go","title":"o’death - Out Of Hands We Go","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1614326302\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/odeath.bandcamp.com\/album\/out-of-hands-we-go-2\"\u003eOut Of Hands We Go by o'death\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eAs o’death wrapped up production on their third studio album \u003ci\u003eOutside\u003c\/i\u003e at the end of 2010, lead-singer\/guitarist Greg Jamie relocated to Biddeford, Maine, to take over a local music and arts venue and turn it into The Oak and The Ax. Since then, Maine and The Oak and The Ax have become a second home for o’death and eventually the location for the recording of their fourth full-length studio album.\u003c\/p\u003e\n\u003cp\u003eThe band convened in South Portland, ME, to work with lo-fi recording guru, Caleb Mulkerin (Big Blood, Fire On Fire, Cerberus Shoal) and to take advantage of the homey space in Biddeford they had performed in many times since 2011. On Out of Hands We Go, o’death return to a focus on live performances with Jamie’s voice and lyrics planted firmly in the center of the band’s dynamic arrangements, a stark departure from the multi-tracked and meticulously overdubbed \u003ci\u003eOutside\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eGreg Jamie’s strength as a lyricist is his ability to create evocative images and details that come together to form a narrative if the listener is ready to walk the path. \u003ci\u003eOut of Hands We Go\u003c\/i\u003e contains stories of a more personal nature, abandoning horror-film vignettes in favor of heartbreak (“Heal In The Howling,” “Herd,” “Apple Moon,”), defiance (“Roam,” “Wrong Time,” “Wait For Fire”) and ultimately triumph (“All Is Light,” “We Had A Vision”) before culminating in the climactic “Isavelle” that fires on all dramatic cylinders.\u003c\/p\u003e\n\u003cp\u003e“Out Of Hands We Go is raw and primal, with rippling banjo set against a crackling backdrop that doubles both as the sound of old vinyl and the campfire around which songwriter Greg Jamie’s personal demons are exorcised” — Peter Watts, Uncut Magazine\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667160101087,"sku":"LP-NS-058","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667160166623,"sku":"CD-NS-058","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160133855,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160199391,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/OOHWG_cover_web1-1024x1024-copy.jpg?v=1703788878"},{"product_id":"pc-worship-social-rust","title":"PC Worship - Social Rust","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3603734172\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pcworship.bandcamp.com\/album\/social-rust-2\"\u003eSocial Rust by PC Worship\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eSocial Rust, PC Worship’s fourth LP to date and Northern Spy Records debut, may very well be the closest this innovative quartet, led by singer and multi-instrumentalist mastermind Justin Frye, has gotten to the conventional rock formula. But don’t be alarmed—PC Worship has, by no means, abandoned its inherent avant-gardist roots. In fact, Social Rust portends a familial group hell bent on blending its own vision of fully realized songcraft and contagious melodicism into its trademark chaotic din.\u003c\/p\u003e\n\u003cp\u003eFrye first hatched PC Worship as a home-recorded solo project but has since steadily morphed his vision into a collective of studied musicians and improvisers, with Michael Etten, Jordan Bernstein \u0026amp; Shannon Sigley as the core unit and an array of dystopian instrumentalists often showing up to jam on Bongos, circuit bent electronics or any number of horns, all of whom have resided at the Bushwick neo-recital hall “Le Wallet” and, ultimately, forming a full-on, proper band as heard on Social Rust. If you’ve been present at DIY underground shows in Brooklyn and beyond, chances are you’ve been exposed to PC Worship’s shambolic brilliance.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePC Worship stand at the threshold of many worlds, yet they operate at the center of their own pantheon and without abandon. They are crucial eclectics, distinct in sound and consistently adventurous. Like Sun Ra, PC Worship transmit alien, helter-skelter sounds seemingly from another universe—a truly rare trait these days\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eSocial Rust\u003c\/em\u003e, PC Worship is:\u003cbr\u003eJustin Frye – vocals, guitars, tape manipulation and piano\u003cbr\u003eMichael Etten – guitars, sax\u003cbr\u003eJordan Bernstein – bass\u003cbr\u003eShannon Sigley – drums, vocals\u003c\/p\u003e\n\u003cp\u003eWith additional contributions by:\u003cbr\u003ePat Spadine, Mario Maggio, Billy Bratt, Jessica Papitto, Adam Markiewicz, Nathan “Squis” Whipple, Boston Bongo Dan\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667160363231,"sku":"CD-NS-057","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160297695,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160330463,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1870655536_16.jpg?v=1703788886"},{"product_id":"damalibra-claw","title":"Dama\/Libra - Claw","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=602852303\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dama-libra.bandcamp.com\/album\/claw\"\u003eClaw by Dama\/Libra\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eDAMA LIBRA is the enthralling new collaboration between two revered veterans of the national indie and avant rock scenes, Joel RL Phelps (formerly of underground rock legends, Silkworm, and currently working with his own band, The Downer Trio) and G. Stuart Dahlquist (formerly of doom metal progenitors, Burning Witch\/SunnO))), and currently of Asva). They are proud to be releasing their first full-length album as a duo, Claw, on Northern Spy Records in summer 2014. Combining the unique talents of both artists, Claw is a pronouncement of lush composition – teeming with a quiet intensity, subtle beauty, and pulsating with moments of raw, emotional catharsis.\u003c\/p\u003e\n\u003cp\u003eUpon hearing the 2011 collaboration between Asva and French avant artist, Phillipe Petit, Phelps reached out to Dahlquist and proposed the addition of his vocals to an instrumental track he had found particularly moving. Despite having been friends and colleagues for nearly 25 years, discussions about working on a serious project together for the very first time began when a listen through the resulting piece (entitled “Thine”) nearly brought Dahlquist and his wife to tears. With Phelps living in British Columbia and Dahlquist residing in Seattle, all recording and composition for Claw was conducted in their respective home studios and transmitted via email over an 18-month period. The results are a profound representation of their individual yet somehow synchronous growth and maturity as artists. The mutual respect and trust both musicians have for and share with one another is evident in how far they pushed themselves to realize their combined work’s full potential and create what may be the strongest material either of them have ever put forth.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667160395999,"sku":"LP-NS-056","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667160428767,"sku":"CD-NS-056","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160461535,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667160494303,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a2795837678_10.jpg?v=1703788895"},{"product_id":"arto-lindsay-the-encyclopedia-of-arto","title":"Arto Lindsay - The Encyclopedia of Arto","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1050637797\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/artolindsay.bandcamp.com\/album\/encyclopedia-of-arto-2\"\u003eEncyclopedia Of Arto by Arto lindsay\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cem\u003eEncyclopedia of Arto Lindsay\u003c\/em\u003e, coming out in the US on May 20th, 2014 for Northern Spy Records, is a photograph of the musical world created by Arto Lindsay. A double CD that presents the different musical souls that have always been the basis of the musical creativity of this American musician and composer.\u003c\/p\u003e\n\u003cp\u003eSince his infancy, spent mostly in Brazil, Arto has been absorbing the music that surrounded him and elaborating a synthesis between experimental music and pop music. His first group, DNA, along with Ikue Mori, Robin Crutchfield and Tim Wright, without ever publishing an actual album, has deeply influenced the New York and worldwide experimental music scene, helping bring about the No Wave movement, brought to light by a compilation produced by Brian Eno in 1978 and titled No New York. As was clear from the innovative rhythmic elements already present in DNA, his Brazilian musical development already stood out in those years with Tropicalismo, Samba and Bossanova and with the Ambitious Lovers, the project which he gave life to in 1984 with the keyboard player Peter Scherer. No Wave and Post Punk were being enriched with Brazilian sonority such as Pagode and Bossanova which reached their heights in the cover of “Dora” by Dorival Cayimmi, an example of a popular Brazilian tradition showing up for the first time in a musical contest, that being that of the alternative American music which, up until then, had been absolutely distant. In this unique journey and in the many other collaborations with artists of varying extraction (from John Lurie and Marc Ribot to Ryuichi Sakamoto) and in important musical productions, (the most important of all being Estrangeiro in 1989, a turning point album in Caetano Veloso’s artistic career) and reaching deserved recognition in 2002 with the victory of the Latin Grammy Award (for the production of Marisa Monte‘s record, Memorias, Cronicas e Declaracoes de Amor), these apparently contrasting elements permeated each other more and more, giving shape to the unmistakable style and creativity of Arto Lindsay.\u003c\/p\u003e\n\u003cp\u003eThe first CD which makes up Encyclopedia of Arto includes the tracks that Lindsay has chosen from his solo albums of the period between 1996 and 2004, “O Corpo Sutil”, “Mundo Civilizado”, “Noon Chill”, “Prize”, “Invoke” and “Salt”, tracks that he wrote with exceptional travel companions like Amedeo Pace (Blonde Redhead), Marisa Monte, Caetano Veloso, Kassin, Vinicius Cantuaria, as well as the faithful Andrés Levin and Melvin Gibbs.\u003c\/p\u003e\n\u003cp\u003eIn the second CD we find a solo performance of Arto, voice and guitar, a naked, cutting sound where the vocal melodies and the atonal guitar playing manage to epitomize all his “musical poetics”; it’s the essential Arto. Besides an unreleased track titled “Pony”, we find tracks from the aforementioned solo albums, including covers of Prince and Al Green, which revolutionize the studio versions recorded on “Mundo Civilizado.” We also find unreleased covers by Chico Buarque and also of the tradition of carioca Samba “Maneiras” (lead to success in Brazil by Zeca Pagodinho) and of the Samba Reggae “O Mais Belos Dos Belos” of Bahia.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Double LP + Digital","offer_id":44667160953055,"sku":"LP-NS-055","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Double CD + Digital","offer_id":44667161018591,"sku":"CD-NS-055","price":21.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667160985823,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161051359,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a1406669571_10.jpg?v=1703788905"},{"product_id":"j-spaceman-kid-millions-live-at-le-poisson-rouge","title":"J. Spaceman \u0026 Kid Millions - Live at Le Poisson Rouge","description":"\u003cp dir=\"ltr\"\u003eOn September 11, 2013, J. Spaceman (Jason Pierce of Spiritualized and Spacemen 3) and Kid Millions (Oneida, Man Forever, People of the North) took a night off of their US tour with Spiritualized to perform an improvised set at (Le) Poisson Rouge, in Greenwich Village. Northern Spy was there to document the show. The resulting 12″ LP with an accompanying 7″ will be limited to 3000 copies and released for Record Store Day 2014 (April 19).\u003c\/p\u003e\n\u003cp\u003eThroughout their respective careers, both Spaceman and Millions have navigated the various sub-genres that fall within the rock and experimental labels, and, on this album, we find the two artists exploring elements of their counterparts’ prior work in a fresh and unique way. Spaceman uses Millions’ free style of drumming as a cue to eschew the pop melodies and structures he worked with on his last release, 2012′s, Sweet Heart, Sweet Light.\u003c\/p\u003e\n\u003cp\u003eThe record’s first side – titled “Misha” – features 24-minutes of Spaceman’s minimal guitar and piano parts along with Millions’ eclectic, yet subtle drumming. The pairing of these elements yields a dreamy and celestial atmosphere that could compare with anything from Spaceman’s famously mind-altering catalog.\u003c\/p\u003e\n\u003cp\u003eSide two of the 12″ – titled “Han” – focuses more on the chaotic nature of the two musicians’ past. Spaceman makes use of his distortion, tremolo and wah-wah pedals, while Millions goes into full freakout mode on the drums, never allowing the audience to fully lock into a groove. The duo steadily builds and eases tension, keeping the listener fully engaged over the track’s 21-and-a-half minute runtime.\u003c\/p\u003e\n\u003cp\u003eAs mentioned before, accompanying the LP will be a 7″ featuring two cuts – “New York” and “London” – that showcase Spaceman’s more rock inspired noise stylings and Millions’ absolute disregard for consistency and predictability.\u003c\/p\u003e\n\u003cp\u003eWith this record, it is clear just how complementary this pairing is. In just under an hour, Spaceman and Millions explore the ethereal and tumultuous sides of music, showing the transfixing nature that both stylings possess. This is Spaceman’s first performance alone with Millions, and his first improvised duo release with a drummer. Lets hope this is just a small preview of what is to come from a Spaceman\/Millions pairing.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"MP3 Download","offer_id":44667161182431,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/6fbe7ba4.jpg?v=1703788912"},{"product_id":"deerhoof-ceramic-dog-split-7","title":"Deerhoof \/ Ceramic Dog - Split 7″","description":"\u003cp\u003eA split 7″ deserves a split write-up. So, Northern Spy asked Deerhoof’s Greg Saunier and Ceramic Dog’s Marc Ribot to write something about this record. Turns out there’s some mutual respect here. It’d be weird if there wasn’t. This is a Record Store Day vinyl release and will only be available at fine music retailers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Deerhoof has been making singles where we give instrumental tracks from our records to singers we like. We have no idea what they’ll sing. On tour, we were having a post-show ice cream at Mashti Malones in LA and one of Marc Ribot’s records came on and we realized we have to get him to do one. Every Deerhoof member had already had their favorite from Ribot’s discography since before we ever met each other. Our connection was Ches Smith who was the singer in our favorite hardcore band but moonlighted as a fusion drummer. We toured with Ches\/Shahzad\/Ribot’s band Ceramic Dog and found their sense of humor to be unacceptable. Then i produced Ceramic Dog’s next record. and after that we sent Ribot the instrumental track for one of our songs and before long i had the single you are looking at except that i had to mix it first lest it sound unmixed. Long live Marc Ribot.”\u003c\/em\u003e – Greg Saunier\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Ches was tight with the Deerhoof people from when he lived on the West Coast , and he and Shahzad turned me on to some of their CD’s. I thought – wow, these people are really crazy (plus they not only dig a lot of the same 70’s – 80’s no wave stuff I like, they’ve actually taken it several steps further). Then we did some W coast tour dates together – and it all turned out to be true: they were crazy and great. We dug it so much, we asked Greg to produce our last CD. Long live Deerhoof!”\u003c\/em\u003e – Marc Ribot\u003c\/p\u003e\n\u003cp\u003eTracks\u003cbr\u003eSIDE A: Who Sleeps, Only Dreams (Deerhoof with special guest Marc Ribot)\u003cbr\u003eSIDE B: Hide With Me (Marc Ribot’s Ceramic Dog)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"MP3 Download","offer_id":44667161346271,"sku":"","price":2.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-12-at-1.26.57-PM.png?v=1703788919"},{"product_id":"chicago-underground-duo-locus","title":"Chicago Underground Duo - Locus","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1853696010\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/chicagoundergroundduo.bandcamp.com\/album\/locus-2\"\u003eLocus by Chicago Underground Duo\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eLocus, the seventh album by the Chicago Underground Duo (Rob Mazurek and Chad Taylor), follows on the heels of their acclaimed 2012 Northern Spy release Age of Energy. Bits of breakbeat and Afropop are heard within the jazz, ambient and electronica elements of their unmistakable grooves. Also in the mix is a Ghanian folk tune and Ennio Morricone played on cornet, drums, mbira, ballophone, bamboo flute and Game Boy. The pairing came out of the Chicago Underground Orchestra founded by Mazurek almost 20 years ago during a series of weekly workshops at the famed Chicago nightclub Green Mill Cocktail Lounge. The Orchestra morphed into the Chicago Underground Duo, Trio and Quartet as situations demanded, and while the orchestra has counted among its members such jazz greats as Sun Ra drummer Robert Barry and the late bassist Fred Hopkins of Air, the younger wunderkind Taylor has been the only other consistent member of the Underground bands. The duo remains core to most everything the uncompromising Mazurek takes on. With Taylor (championed timekeeper behind Marc Ribot’s Spiritual Unity Trio and projects with Peter Brötzmann, Ken Vandermark and many others), Mazurek has crafted an ever expanding sound, based in elements of jazz, techno, film music. The nine tracks on Locus find the tireless Duo exploring, as always, new sounds and new combinations.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667161444575,"sku":"LP-NS-052","price":18.99,"currency_code":"USD","in_stock":false},{"title":"CD + Digital","offer_id":44667161542879,"sku":"CD-NS-052","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161477343,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161510111,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81kxRpnzC2L._SL1000.jpg?v=1703788928"},{"product_id":"aa-voyaager","title":"Aa - VoyAager","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1339020872\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aabigalittlea.bandcamp.com\/album\/voyaager-2\"\u003eVoyAager by Aa (BIG A Little a)\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eWith ‘VoyAager,’ multi-drummer experimentalists Aa (“Big A little a”) – one of the quintessential house bands of Brooklyn’s mid-aughts loft party\/DIY scene – have returned with their first US release since 2007. The heady new album, out on Northern Spy Records, expands dramatically on the band’s primordial polyrhythms + noise palette to embrace lush digital psychedelia, enveloping vocal textures, and unexpected explosions of pop melodicism. The thunderous live drums that have always been Aa’s hallmark are still very much in the foreground, and now frequently hybridized with electronic beats and percussive blasts.\u003c\/p\u003e\n\u003cp\u003eWhile clearly in dialogue with contemporaries like Black Dice, Gang Gang Dance, Parts \u0026amp; Labor\/Dan Friel, HEALTH, Dan Deacon, and others, Aa’s continuous evolution has mapped out an utterly singular course. ‘VoyAager’ spans diversely unique sonic worlds – from the ecstatic drum workouts of “Glow Wreath” and “Fish Phone,” to the menacing, post-industrial grind of “Mossy” and “Gowntower,” to the vividly atmospheric electropop of “Koosh” and “Eyebells,” and other previously uncharted territories.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003ePainstakingly produced by the band with long-time collaborator Billy Pavone and mastered by drummer Josh Bonati of Bonati Mastering, ‘VoyAager’ works both as deep headphone listening and as blisteringly loud, heavy-in-the-red avant-rock. Recorded over several years in Brooklyn, New Jersey, Los Angeles, and southern France, and following tours of Europe, Australia and New Zealand, the album vibrantly reaffirms the band as one of experimental rock’s one-of-a-kind institutions.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667161706719,"sku":"CD-NS-050","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161641183,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161673951,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/61l-VQ2Mc-L.jpg?v=1703788937"},{"product_id":"cloud-becomes-your-hand-rocks-or-cakes","title":"Cloud Becomes Your Hand - Rocks or Cakes","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1666744903\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cloudbecomesyourhand.bandcamp.com\/album\/rocks-or-cakes\"\u003eRocks Or Cakes by cloud becomes your hand\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eThe spirit of discovery has made heroes of mountain climbers and deep sea divers. We rally around it with undaunted belief that one day aliens will be our best friends, if we can just push deep enough into space. Cloud Becomes Your Hand reminds us that this magic of new worlds isn’t just on the edges of civilization; it is all around us. Like a children’s show on PBS, depicting urban life with a frenetic jazz of togetherness and purpose, theirs is the sound of exploring your own city. It is the sound of meeting all the surprising people around you. Surrealism, Dada, psychedelia; these are just fancy words to describe the simple thing this group has done. They’ve collected a bunch of exciting sounds and tied them together with the exclamation, “We’re all here, living these wild lives with each other!” It is a sentiment explaining the joy and wonder in a child’s eyes. A sentiment Cloud Becomes Your Hand reminds us is for everyone, forever.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667161805023,"sku":"CD-NS-051","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161739487,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161772255,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81ecOVra4L._SL1200.jpg?v=1703788946"},{"product_id":"rhys-chatham-harmonie-du-soir","title":"Rhys Chatham - Harmonie du Soir","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3809963487\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rhyschatham.bandcamp.com\/album\/harmonie-du-soir\"\u003eHarmonie du soir by Rhys Chatham\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eRhys Chatham’s Harmonie du soir presents three heavenly compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergötter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is a 2012 studio performance of Drastic Classicism Revisited featuring Rhys Chatham, David Daniell, and Ryan Sawyer. The whole package is presented lovingly, mastered beautifully by James Plotkin, with extensive notes by Mr. Chatham.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667161870559,"sku":"LP-NS-048","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667161936095,"sku":"CD-NS-048","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667161903327,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667161968863,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/71qq92u78L._SL1400_-e1646851774155.jpg?v=1703788955"},{"product_id":"the-necks-open","title":"The Necks - Open","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=898907723\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenecksau.bandcamp.com\/album\/open\"\u003eOpen by The Necks\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe Necks are one of the great cult bands of Australia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOpen\u003c\/em\u003e, the 17th album from The Necks, is to be released on the 29th of October in North America as part of a brand new partnership between The Necks and Northern Spy Records.\u003c\/p\u003e\n\u003cp\u003eFollowing on from their two track LP release, \u003cem\u003eMindset\u003c\/em\u003e (2011), \u003cem\u003eOpen\u003c\/em\u003e sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour.\u003c\/p\u003e\n\u003cp\u003eTrue to its title, \u003cem\u003eOpen\u003c\/em\u003e possesses a stillness, drawing the listener into a spacious soundworld.\u003c\/p\u003e\n\u003cp\u003eBassist Lloyd Swanton elaborates: “\u003cem\u003eMindset\u003c\/em\u003e reached some pretty intense levels at times, and though we never overtly discussed it, I think that on \u003cem\u003eOpen\u003c\/em\u003e by contrast, all three of us were taken by the idea of working in an area of great stillness. After a couple of days’ recording, it was clear that the music was leading us in this direction.”\u003c\/p\u003e\n\u003cp\u003eFrom the opening tones of Tony Buck’s monochord, it is immediately clear that this Necks album is something special. As it unfolds, ethereal arco harmonics, minimalist funk, mesmeric piano riffs, subliminal pulses, twittering electronics, even an arco bass choir are inducted into the process.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOpen\u003c\/em\u003e will be the first of The Necks’ albums released in North America on Northern Spy. “They’re a great label; energetic and imaginative, with some really impressive artists” says Chris Abrahams, “so we’re flattered that they sought us out, and delighted to be working together on growing our music across North America, because the response to our tours there thus far has been incredible.”\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667162067167,"sku":"CD-NS-047","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162001631,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162034399,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/51qwJUPbhnL._SL1488_-e1646851760953.jpg?v=1703788963"},{"product_id":"mystical-weapons-crotesque","title":"Mystical Weapons - Crotesque","description":"\u003cp\u003eSean Lennon \u0026amp; Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side. The session was originally broadcast on WNYC’s “Spinning on Air” with David Garland in early January 2013, and is now released exclusively for Record Store Day Black Friday 2013 in a one time pressing of 1,500 units.\u003c\/p\u003e\n\u003cp\u003eSean Lennon’s improvisational collaboration Mystical Weapons is primarily a duo of Sean and Deerhoof drummer Greg Saunier. Here, the duo is expanded with the addition of animator and projectionist Martha Colburn (her projector can be heard on the recording) and multi-instrumentalist Shahzad Ismaily. This version of Mystical Weapons has only performed about three times together and never released a recording.\u003c\/p\u003e\n\u003cp\u003eAs WNYC’s Garland writes, “Both Sean and Shahzad share electric guitars, basses, and keyboards. Martha Colburn handles her films the way a performing DJ handles records: using the projectors like turntables, the images are mixed and manipulated live, with visuals forming an essential component of the Mystical Weapons experience.”\u003c\/p\u003e\n\u003cp\u003eCredits:\u003c\/p\u003e\n\u003cp\u003eSean Lennon: bass, guitar, synthesizer\u003cbr\u003e\nShahzad Ismaily: bass, guitar, synthesizer\u003cbr\u003e\nGreg Saunier: drums\u003cbr\u003e\nMartha Colburn: 16mm projector\u003c\/p\u003e\n\u003cp\u003eRecorded January 31, 2013 for broadcast on WNYC’s Spinning On Air with David Garland\u003c\/p\u003e\n\u003cp\u003eEngineered by Irene Trudel\u003cbr\u003e\nMixed by Greg Saunier\u003cbr\u003e\nOne Time Pressing of 1,500 Units\u003cbr\u003e\nOriginal Artwork by Sean Lennon\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"Limited Edition LP","offer_id":44667162132703,"sku":"LP-NS-049","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/Screen-Shot-2017-03-23-at-11.16.42-PM.png?v=1703788971"},{"product_id":"bryan-and-the-haggards-ft-dr-eugene-chadbourne-merles-just-wanna-have-fun","title":"Bryan and the Haggards ft Dr. Eugene Chadbourne - Merles Just Wanna Have Fun","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061637051\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bryanandthehaggards.bandcamp.com\/album\/merles-just-wanna-have-fun\"\u003eMerles Just Wanna Have Fun by Bryan and the Haggards ft Dr. Eugene Chadbourne\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eMerles Just Wanna Have Fun is a ridiculous spirited, lovingly raucous tribute to one of country’s greats, Merle Haggard. As with Willie Nelson, there’s a bit of jazzy sensibility toHaggard’s music. The tunes aren’t mere three-chord rockers, giving a sextet of exceptional musicians like Bryan and the Haggards featuring Dr. Eugene Chadbourne plenty to work with. And as with Nelson (Poncho to his Lefty, or the other way around), Haggard’s songs are full of character, or rebels and patriots and world-weary travelers.\u003c\/p\u003e\n\u003cp\u003e“This was what I was trying to do in 1980, get a jazz band to play country and western and get a record label to pay to record it and put it out. The closest I could get to that was Shockabilly and obviously that was a sidetrack. So listening to this is really gratifying! Let’s see if anybody else likes it!” – Dr. Eugene Chadbourne\u003c\/p\u003e\n\u003cp\u003eEugene Chadbourne – vocals, banjo, dobro\u003cbr\u003e\nBryan Murray – tenor, soprano, balto! saxophones, talzmer¡, nose whistle, recorder, ocarina, vocals.\u003cbr\u003e\nJon Irabagon – C melody, soprano and tenor saxophones, bass clarinet, penny whistle\u003cbr\u003e\nJon Lundbom – guitar, banjo, vocals\u003cbr\u003e\nMoppa Elliott – bass, vocals\u003cbr\u003e\nDanny Fischer – drums, vocals\u003c\/p\u003e\n\u003cp\u003eRecorded at Seizures Palace on July 4, 2012\u003cbr\u003e\nProduced by Kurt Gottschalk\u003cbr\u003e\nEngineered by Jason LaFarge\u003cbr\u003e\nMastered by James Plotkin\u003cbr\u003e\nArtwork by Emma Ball, vectornectar.com\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667162231007,"sku":"CD-NS-046","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162165471,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162198239,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81vWdvdcd3L._SL1200.jpg?v=1703788980"},{"product_id":"gary-lucas-cinefantasique","title":"Gary Lucas - Cinefantasique","description":"\u003cp\u003eThis album is a total labour of love. I have been fascinated with film ever since I was a boy, when I used to project 8mm silent horror and science fiction classics courtesy of Castle Films to my friends in the basement of our house in Syracuse NY (a mere nickel would gain you admission). And I quickly grew to love film music scores – and the way they can comment on and enhance the experience of viewing a classic film. A good film theme can stick in your mind indelibly, like the best pop songs. I thank my mom and dad for instilling my love of film music – popular soundtrack LPs of the day were played continuously on our hi-fi, which is where I first fell under the spell of Victor Young’s “Around the World in 80 Days,” Michel Legrand’s “Umbrellas of Cherbourg” music and Frances Lai’s score for “A Man and a Woman” (the last two both ear-marked for “Cinefantastique Vol. 2”). And I have been intimately involved with composing film music – especially otherworldly film music – since being asked in 1971 to score my first film, “Aquatic Ecology,” a documentary for the New York State Department of Forestry narrated by fellow Syracuse native Rod Serling (Mr. Twilight Zone).\u003c\/p\u003e\n\u003cp\u003eSince then I have composed music for both film and television and have covered many film themes over my 20 plus album career to date. This is the first time though that I have assembled a full album devoted to showcasing some of my favorite film music composers and some of my own film music. And it is all arranged and performed (except for one piece) for solo guitar, without overdubs. Not that easy to pull off, considering most of the classic film themes covered here (well all of them) were composed and recorded for full orchestra. But I love a good challenge. And as I have been described as a one man guitar orchestra…enjoy! -Gary Lucas\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667162689759,"sku":"CD-NS-045","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162755295,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162722527,"sku":"","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a0507449113_10.jpg?v=1703788989"},{"product_id":"arnold-dreyblatt-and-megafaun-appalachian-excitation","title":"Arnold Dreyblatt and Megafaun - Appalachian Excitation","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255461480\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/arnolddreyblattandmegafaun.bandcamp.com\/album\/appalachian-excitation\"\u003eAppalachian Excitation by Arnold Dreyblatt and Megafaun\u003c\/a\u003e\u003c\/iframe\u003e\u003cp dir=\"ltr\"\u003eThe meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation.\u003c\/p\u003e\n\u003cp\u003eBorn in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where he is active as a visual artist and as a composer.  His music is based on his own vocabulary of pulse and self-designed instrumentation.\u003c\/p\u003e\n\u003cp\u003eThe North Carolina by way of Wisconsin trio Megafaun (comprised of brothers Brad and Phil Cook and Joe Westerlund) has been working since 1997, when the three met at the H.O.R.D.E. festival. After a decade of crafting their sound, Westerlund contacted Jeff Hunt, owner of the Table of the Elements label, looking to get in touch with Dreyblatt, whose work all three admired. The following year they were able to schedule a week long residency at Salem Art Works in the mountains of upstate New York, where Dreyblatt taught them the just intonation tuning system he’d developed as well as some of the instruments he’d devised. They presented Dreyblatt’s compositions at the 2008 Wire Festival in Chicago and concerts in Boston and NYC.\u003c\/p\u003e\n\u003cp\u003eBusy schedules kept them from working together again until the 2012 Hopscotch Music Festival in Raleigh, North Carolina, just a stretch of mountains south from where they’d developed their joint sound. Excited about the performance, they booked the Pinebox Recording studio in Graham, N.C. to lay down the tracks that make up Appalachian Excitation. They connected again last February to play the Ecstatic Music Festival in New York City.\u003c\/p\u003e\n\u003cp\u003eThe album was recorded live in the studio with no click track and minimal separation, a new experience for the men of Megafaun. It’s “the most rewarding way to record,” said Joe Westerlund. “This record with Arnold marks a step towards Megafaun becoming more of a live-in-the-studio recording band, a more traditional and time-tested method.”\u003c\/p\u003e\n\u003cp\u003eSpeaking from the stage at Merkin Concert Hall during their Ecstatic Music appearance last year, Dreyblatt said such genre transcending collaborations wouldn’t have been possible several decades ago. “We are no longer one-dimensional people,” he announced. Experience the dimensions of Appalachian groove and time-honored minimalism anew with Dreyblatt and Megafaun.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667162788063,"sku":"LP-NS-044","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667162853599,"sku":"CD-NS-044","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667162820831,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667162886367,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/81LOVv1t8XL._SL1200.jpg?v=1703788998"},{"product_id":"jenks-miller-spirit-signal","title":"Jenks Miller - Spirit Signal","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=107143221\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/northernspyrecords.bandcamp.com\/album\/spirit-signal\"\u003eSpirit Signal by Jenks Miller\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThe multifaceted, tireless Jenks Miller (Mount Moriah, Horseback) turns his compositional and guitar-shredding talents to his first widely distributed solo album \u003cem\u003eSpirit Signal\u003c\/em\u003e, an experimental LP totally of-a-moment; each track was conceived, tracked, and mixed in one day. Though the surface characteristics of Jenks Miller’s various projects vary tremendously, they all share a carefully-crafted internal logic and an arresting attention to detail. The sonic pallette on \u003cem\u003eSpirit Signal\u003c\/em\u003e is at times airy and lyrical, at others claustrophobic and raw. Fractured, hypnotic melodies circle each other ominously, organic drones wilt beneath layers of fuzz, and minimal percussion disappears in an avalanche of sky-scraping texture. \u003cem\u003eSpirit Signal\u003c\/em\u003e is an album of contrast and synthesis, the stuff of internal landscapes. The playing here may recall folk guitar titans Neil Young and Richard Thompson and mind-benders like Keiji Haino, Loren Connors and Michael Morely.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667162984671,"sku":"LP-NS-043","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667163050207,"sku":"CD-NS-043","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667163017439,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163082975,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3753903129_16.jpg?v=1703789007"},{"product_id":"nymph-new-millennium-prayer","title":"NYMPH - New Millennium Prayer","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=426050176\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nymph1.bandcamp.com\/album\/new-millenium-prayer-2\"\u003eNew Millenium Prayer by NYMPH\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eThis June, Brooklyn-based psychedelic free-rock outfit NYMPH emerges from a transmogrifying and highly regenerative chrysalis state to release its second album, the expansive and enveloping New Millennium Prayer on Northern Spy Records. Recorded by David Tolomei at DNA and mastered by Sarah Register of Talk Normal at The Lodge, New Millennium Prayer for the first time makes manifest NYMPH’s expanded 8-piece lineup in the long-playing format; the band’s monolithic compositional vision and augmented sonic palette is here presented in the classic cosmos-splashed Krautrock template: three long and deeply kosmiche pieces, with one side-encompassing mega-jam — the transcendent title track.\u003cbr\u003e\nIn the two-plus years since the release of their eponymous debut, the group has engendered severe and resonant changes. For one, it absorbed four members of Athens, GA’s nomadic freak-rock family Dark Meat into its ranks; while touring together, members of the psych-noise cabal would join NYMPH for spontaneous jams, and they soon began making stops off the road to record tracks for this new album. The beauty of the burgeoning partnership inspired the itinerant Georgians to settle in the city for good, thusly inspiring the former duo-plus-two of guitar-visionary Matty McDermott and vocalist Eri Shoji to consider new arrangements and invoke fresh textures, including a horn section with Aylerian proclivities, tape-delayed sound-settings, a shimmering jungle of percussion and a tendency to loosen structures a la their free-jazz and minimalist-compositional heroes.\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003cbr\u003e\nJim McHugh – Guitar, Drone\u003cbr\u003e\nMatty McDermott – Guitar, Shaker\u003cbr\u003e\nJason Robira – Drum Kit\u003cbr\u003e\nJeff Tobias – Saxophone\u003cbr\u003e\nJess Stathos – Congas\u003cbr\u003e\nNickle Emmet – Bass\u003cbr\u003e\nEri Shoji – Vocals, Hand Percussion\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"LP + Digital","offer_id":44667163148511,"sku":"LP-NS-040","price":18.99,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":44667163214047,"sku":"CD-NS-040","price":13.99,"currency_code":"USD","in_stock":true},{"title":"FLAC Download","offer_id":44667163181279,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163246815,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/61SaMCFT2aL._SS500.jpg?v=1703789016"},{"product_id":"black-host-life-in-the-sugar-candle-mines","title":"Black Host - Life in the Sugar Candle Mines","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032543763\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/geraldcleaversblackhost.bandcamp.com\/album\/life-in-the-sugar-candle-mines-2\"\u003eLife in the Sugar Candle Mines by Gerald Cleaver's Black Host\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eSometimes it can be a challenge to rise above the flood of interesting music available in the new-release (let alone reissue) coffers and bring a vibe to the table that’s robust enough to grab one by the throat, offering seamless introspection within past and present. Black Host, a New York quintet nominally led by in-demand drummer Gerald Cleaver, is an improvising ensemble prepared to do just that. Cleaver is joined here by pianist Cooper-Moore, alto saxophonist Darius Jones, bassist Pascal Niggenkemper and guitarist Brandon Seabrook on a program of eight original compositions that blend modern jazz, free music, psych, post-punk and electrified noise with painstaking detail and heady abandon. The historically obsessed might name-check Albert Ayler (especially the groups with pianist Bobby Few and guitarist Henry Vestine), the early ‘70s music of Norwegians Jan Garbarek and Terje Rypdal, or Gary Windo with Carla Bley, but Black Host present dynamic, incisive and utterly contemporary music. \u003cem\u003eLife in the Sugar Candle Mines\u003c\/em\u003e is the group’s first record – hopefully one among several – a reverb-drenched and incisive stew of rhapsodic piano, searing alto and fractured guitar over rhythms that are alternately chunky and airy, rendered with a “live” energy that cuts through the cones on your speakers.\u003c\/p\u003e\n\u003cp\u003eFeatured Artists:\u003c\/p\u003e\n\u003cp\u003eGerald Cleaver (drums, sound design)\u003cbr\u003e\nCooper-Moore (piano, synth)\u003cbr\u003e\nBrandon Seabrook (guitar)\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003eDarius Jones (alto saxophone)\u003cbr\u003e\nPascal Niggenkemper (bass)\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"CD + Digital","offer_id":44667163345119,"sku":"CD-NS-039","price":13.99,"currency_code":"USD","in_stock":false},{"title":"FLAC Download","offer_id":44667163279583,"sku":"","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163312351,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/black-host-cover-square-e1646851699374.jpg?v=1703789025"},{"product_id":"thurston-moore-loren-connors-the-only-way-to-go-is-straight-through","title":"Thurston Moore \/ Loren Connors - The Only Way To Go Is Straight Through","description":"\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=243705662\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thurstonmoorelorenconnors.bandcamp.com\/album\/the-only-way-to-go-is-straight-through\"\u003eThe Only Way To Go Is Straight Through by Thurston Moore \u0026amp; Loren Connors\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003eOn this Record Store Day exclusive release, entitled \u003cem\u003eThe Only Way To Go Is Straight Through\u003c\/em\u003e, Thurston and Loren fearlessly dive into a hot, dark pool and enter a world of surging sound and faint lights. They can’t see each other. They can only hear each other's searing notes in the heat. But it is enough to take them through.\u003c\/p\u003e\n\u003cp\u003eThe material on \u003cem\u003eThe Only Way To Go Is Straight Through\u003c\/em\u003e was compiled from two live recordings. Side A was captured at The Stone in Manhattan, where Moore and Connors performed on July 14, 2012 for the second annual Spy Music Festival (pictured above). The pair met up again on October 17, 2012 to headline Northern Spy’s CMJ showcase at Public Assembly in Brooklyn (pictured below), and that mesmerizing set became Side B of this record.\u003c\/p\u003e\n\u003cp\u003eWhile this was not the first time that Thurston Moore and Loren Connors have performed together, a vinyl pressing of their improvised collaborations is unprecedented. A mere three thousand copies of this extraordinary LP will be available worldwide ONLY on Record Store Day (April 20, 2013). The music will not be available in any other format, on any other day, so we think it will be well worth braving the insanely long RSD lines to get your hands on a copy.\u003c\/p\u003e","brand":"Northern Spy Records","offers":[{"title":"FLAC Download","offer_id":44667163377887,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Download","offer_id":44667163410655,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/files\/a3617375175_10.jpg?v=1703789033"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0677\/9256\/8543\/collections\/nspy-resources-9all.png?v=1720473969","url":"https:\/\/www.northern-spy.com\/collections\/all.oembed?page=11","provider":"Northern Spy Label Group","version":"1.0","type":"link"}